Jane Austen wrote six of the best-loved novels in the English language, as well as a smaller corpus of works unpublished in her day, including three volumes of witty, non-realist juvenilia and the innovative, unfinished Sanditon. She pioneered new techniques for representing voices, minds, and hearts in narrative prose, and was a penetrating satirist of social tensions and trends in an era dominated by the French Revolution, the Napoleonic Wars, and the socio-economic disruptions entailed by them. Yet Austen struggled for many years to break into print, and even as she became a published author in the last years of her relatively short life, reading tastes and book-trade expectations constrained as much as they enabled her literary career. This Very Short introduction explores the major themes of Austen criticism through close analysis of her major and minor works, with particular emphasis on the literary, social, and political backgrounds from which the novels emerge, and with which they engage. Thomas Keymer combines critical introductions to each of Austen's six major novels with an exploration of the key themes in her works, from national identity to narrative technique. The Austen who emerges is a writer shaped by the literary experiments and socio-political debates of the revolution decade, drawn in her maturity to a fundamentally conservative vision of social harmony, yet forever complicating this vision through the disruptive ironies and satirical energies of her prose. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
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This book sets out to examine how Austen’s formula was put to use to yield three contemporary works of British fiction; Kate Fenton’s Lions and Liquorice (1995), Helen Fielding’s Bridget Jones’s Diary (1996) and Melissa Nathan’s ...
Jane composed a satirical letter to Mrs Hunter who lived in Norwich , though of course it was never intended for the post . It ran : Jane Austen's tears have flowed over each sweet sketch in such a way as would have done Mrs Hunter's ...
For many readers Jane Austen is the quintessential English author. Jane Austen sets out to explore the history of this identification with Englishness in the context of a tradition of...
Here, in this stunning little book, you will be able to read hundreds of individual quotes from her famous works—from Pride and Prejudice and Emma to Persuasion and Sense and Sensibility—each prompting an emotional response, thoughtful ...
In this volume, writers from around the world consider Austen's sometimes playful, always witty and significant use of dialogue.
Why were hers the books that Darwin knew by heart and Churchill read during the Blitz?
In this edition of Jane Austen's regency classic Pride and Prejudice, plan a fancy tea party or book club gathering with recipes for sweet confections and pastries.
Baldwin was a rather corrupt figure, standing behind much of Bath's building boom, and eventually ousted from his public offices for financial irregularities. No one drew the back of the house, because Georgian Bath was all about making ...
Thoroughly innovative and occasionally irreverent, this book will appeal in equal measure to book historians, Austen fans, and scholars of literary celebrity.