'Life-writing' is a generic term meant to encompass a range of writings about lives or parts of lives, or which provide materials out of which lives or parts of lives are composed. These writings include not only memoir, autobiography, biography, diaries, autobiographical fiction, and biographical fiction, but letters, writs, wills, written anecdotes, depositions, marginalia, lyric poems, scientific and historical writings, and digital forms (including blogs, tweets, Facebook entries). On Life-Writing offers a sampling of approaches to the study of life-writing, introducing readers to something of the range of forms the term encompasses, their changing fortunes and features, the notions of 'life,' 'self' and 'story' which help to explain these changing fortunes and features, recent attempts to group forms, the permeability of the boundaries between forms, the moral problems raised by life-writing in all forms, but particularly in fictional forms, and the relations between life-writing and history, life-writing and psychoanalysis, life-writing and philosophy. The essays mostly focus on individual instances rather than fields, whether historical, theoretical or generic. Generalizations are grounded in particulars. For example, the role of the 'life-changing encounter,' a frequent trope in literary life-writing, is pondered by Hermione Lee through an account of a much-storied first meeting between the philosopher Isaiah Berlin and the Russian poet Anna Akhmatova; James Shapiro examines the history of the 'cradle to grave' life-narrative, as well as the potential distortions it breeds, by focusing on Shakespeare biography, in particular attempts to explain Shakespeare's so-called 'lost years'.
... As Aileen Moreton-Robinson has argued in regard to the biopolitics of Australian colonialism, the white Australian sense of secure ownership over the country is “tormented by its pathological relationship to Indigenous sovereignty.
Edward Weston : Photographs from the Collection of the Center for Creative Photography . Tucson : Center for Creative Photography , 1992 . Edward Weston in Mexico , 1923–1926 . Albuquerque : University of New Mexico Press , 1983 .
In readings that move from personal diaries and personal letters through autobiography and biography that assumes a public readership, and finally to the essay, the reader is led through an ever-widening audience.
How can life writing do good, and how can it cause harm? The eleven essays here explore such questions.
James Olney, tells the story of an evolving literary form that originated in the autobiographical writings of St. Augustine, underwent profound and disruptive changes in Jean-Jacques Rousseau's life-writing trilogy, and found its momentary ...
... translated by Quintin Hoare, 1984; as War Diaries: Notebooks from a Phoney War, translated by Hoare, 1984 Lettres ... as Witness to My Life: The Letters ofJean-Paul Sartre to Simone de Beauvoir 1926–1939 and Quiet Moments in a War: ...
This volume examines innovative intersections of life-writing and experimental fiction in the 20th and 21st centuries, bringing together scholars and practicing biographers from several disciplines (Modern Languages, English and Comparative ...
Essential reading for anyone interested in writing biography or memoir, with practical advice from successful biographers and creative writing teachers.
Why do we endlessly tell the stories of our lives? And why do others pay attention when we do? The essays collected here address these questions, focusing on three different but interrelated dimensions of life writing.
This volume of more than twenty essays reflects the intersections between biography, autobiography and literature.