This book considers the lyric poems written by John Clare and three twentieth-century poets—Arthur Symons, Edmund Blunden, and John Ashbery—who turned to him at pivotal moments in their own development. These writers crafted a distinctive mode of lyric, 'Clare's lyric', that emphatically grounds its truth claims in mimetic accuracy. For these writers, accurate representation involves not only words that name objects, describe scenes, and create images pointing to a shared reality but also patterns of sound, the syntactic organization of lines, and the shapes of whole poems and collections of poems. Their works masterfully investigate how poetic language and form can refer to the world, word by word, line by line, and poem by poem. Written in a lively and accessible style, Clare's Lyric sheds light on a richly diverse body of poems and on enduring questions about how literature represents reality. Weiner's attentive close readings bring the writings of Clare, Symons, Blunden, and Ashbery to life by revealing precisely how they captured a vital, arresting, and complex world in their poems. Their unique approach to lyric is traced from Clare's poems about birdsong, his sonnets, and his later poems of loss and absence to Symons's efforts to make 'amends to nature' Blunden's vivid depictions of a European and English countryside scarred by the First World War, and Ashbery's unbounded and bountiful landscapes. This inventive study refines our understanding of the aesthetic of Romanticism, the genre of lyric, and the practice of literary representation, and it makes a compelling case for the ongoing importance of poems about nature and social life.
The Shepherd's Calendar; With Village Stories, and Other Poems (London: John Taylor, 1827). The Rural Muse (London: Whittaker, 1835). The Early Poems of John Clare: 1804–1822, 2 vols, ed. by Eric Robinson and David Powell (Oxford: ...
ABBREVIATIONS Clare's poems are quoted, in their original spelling and punctuation, from Early Poems, Middle Period, ... Clare, John. The Early Poems of John Clare, 1804–1822. 2 vols. Ed. and introd. Eric Robinson and David Powell.
... 270 Boym, Svetlana, 152 Breton, André, 155, 156, 208 Briusov, Valerii, 136, 139, 152 Brodsky, Joseph, 2, 235, 236, 240-41, 175,174,sO5n46 Bromwich, David, 10, 15, 37 Broniewski, Wladyslaw, 152, 153, 156, 170, 301n15 Brooks, Jeffrey, ...
... into the landscape seem straight forward: The shaping influence of environment on stylistics Wandering by the rivers edge I love to rustle through the sedge And through the woods of reed to tear Almost as high as bushes are (ll.
Society' in John Clare Society Newsletter, February 2016, pp. 5-7. The sonnets are in Middle Period, IV, pp. 298 and 309. Middle Period, II, pp. 163-84. Suggested by Bob Heyes, 'Little Hills of Cushioned Thyme', JCSJ, 12 (1993), 32-6.
Thomas Bewick has often seemed to be cursed with the same attitude, from both admirers and detractors, as John Clare. The two men are often seen as being 'simple'; sometimes simpleminded, but certainly men whose work is open and ...
'A real world & doubting mind': A Critical Study of the Poetry of John Clare. Hull: Hull University Press, 1985. ———., ed. ... The Early Poems of John Clare, 1804–1822. Edited by Eric Robinson, David Powell and Margaret Grainger.
... Clare : Poetry , Culture and Community ( Cambridge : Cambridge University Press , 2015 ) . Kristeva , Julia , Revolution in Poetic Language ( New York : Columbia University Press , 1984 ) . Kuduk Weiner , Stephanie , Clare's Lyric : John ...
For an ever-growing annotated bibliography of labouring-class poets before and beyond Clare's time, see John Goodridge et al. (eds), Database of British and Irish Labouring-Class ... NineteenthCentury English Labouring-Class Poets, vol.
See The Idea of Landscape and the Sense of Place , 1730-1840 ( Cambridge : Cambridge University Press , 1972 ) . Johanne Clare responds to Barrell by making a strong case for the sociopolitical content of Clare's enclosure poems .