English Literature in the 1960s soon threw off its post-war weariness and the tepid influences of the previous decade. New voices, new visions, and new commitments profoundly reshaped writing during the 60s, and throughout the rest of the century. Drama thrived on its rapidly rebuilt foundations. New freedoms of style and form revitalised fiction. Poetry, too, gradually recovered the variety and inventiveness of earlier years. As well as comprehensively charting these changes in the literary field, Randall Stevenson persuasively pinpoints their origins in the historical, social, and intellectual pressures of the times. Literary developments are revealingly related to the wider evolution and profound changes in English experience in the late twentieth-century to shadows of war and loss of empire; declining influences of class; shifting relations between the genders; emergent minority and counter-cultures; and the broadening democratization of contemporary life in general. Analyses of the rise of literary theory, of publishing and the book trade, and of the pervasive influences of modernism and postmodernism contribute further to an impressively thorough, insightful description of writing in the later twentieth-century a literary period Stevenson shows to be far more imaginative and exciting than has yet been recognised. Lucid, accessible, and engaging, this volume of the Oxford English Literary History presents a unique illumination of its age - one we have lived through, but are only just beginning to understand. The first full account of its period, it will set the agenda for discussion of late twentieth-century literature for many years to come.
Slagle, Judith B., 'Thomas Shadwell's Censored Comedy, The Lancashire-Witches: An Attack on Religious Ritual or Divine Right? ... Smyth, Adam, 'Almanacs, Annotators, and Life Writing in Early Modern England', ELR, 38 (2008), 200–44.
... luue wes þah biturnd upon hire swa unimete swiðe þet he for wohlech sende hire his sonden, an efter oðer, ofte somet monie; sende hire beawbelez baðe feole ant feire, sucurs of liueneð, help of his hehe hird to halden hire castel.
... Independent Theatre Company's efforts (from 1891) to bring the works of Henrik Ibsen to English audiences, and of the Stage Society (from 1899) to promote the work of Bernard Shaw, Harley Granville-Barker, and other new dramatists.
Overstepping traditional period divisions, this volume in the new Oxford English Literary History runs from 1350 to the death of Henry VIII.
This book describes and seeks to explain the vast cultural, literary, social, and political transformations which characterized the period 1000-1350. Change can be perceived everywhere at this time.
Offering for the first time a comprehensive view of this phenomenon, this pioneering five-volume work casts a vivid new light on the history of English literature.
"This volume covers the period 1645-1714, and removes the traditional literary period labels and boundaries used in earlier studies to categorize the literary culture of late seventeenth-century England. It invites...
This volume in 'The Oxford English Literary History' series covering 1645-1714 removes the traditional literary period labels and boundaries used in earlier studies to categorize the literary culture of late seventeenth-century England, ...
Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age.
This volume explores the vast cultural, literary, social, and political transformations which characterized the period 1000-1350.