Crime Fiction: A Very Short Introduction
- ISBN-10
- 0191642703
- ISBN-13
- 9780191642708
- Series
- Crime Fiction
- Category
- Literary Criticism
- Pages
- 144
- Language
- English
- Published
- 2015-05-28
- Publisher
- OUP Oxford
- Author
- Richard Bradford
Description
Crime fiction has been one of the most popular genres since the 19th century, but has roots in works as varied as Sophocles, Herodotus, and Shakespeare. In this Very Short Introduction Richard Bradford explores the history of the genre, by considering the various definitions of 'crime fiction' and looking at how it has developed over time. Discussing the popularity of crime fiction worldwide and its various styles; the role that gender plays within the genre; spy fiction, and legal dramas and thrillers; he explores how the crime novel was shaped by the work of British and American authors in the 18th and 19th centuries. Highlighting the works of notorious authors such as Edgar Allan Poe, Conan Doyle, Agatha Christie, and Raymond Chandler — to name but a few — he considers the role of the crime novel in modern popular culture and asks whether we can, and whether we should, consider crime fiction serious 'literature'. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Get the book
Other editions
-
- 2018-05-31
- 346 pages
- Paperback
- Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Similar books
-
Virginia Woolf and the Great War
By Karen L. LevenbackI owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
-
In Search of Elena Ferrante: The Novels and the Question of Authorship
By Karen Bojar... Alice: “In Search of Our Mothers' Gardens” 157 Warwick Prize for Women in Translation 38 Wertenbaker, Timberlake 21 Wilson, Emily (trans.
-
Native American Verbal Art: Texts and Contexts
By William M. ClementsHENRY TIMBERLAKE'S CHEROKEE WAR SONG 1. That Timberlake's memoir contains the first English translation of the words of a Native American song seems to have ...
-
Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature
By William H Bridges“Justin Timberlake, 'The 20/20 Experience': Is There a Visual Preference for Whiteness?” Interview with Marc Lamont Hill. HuffPost Live, 27 March 2013.
-
Shakespeare's Edward III
By William ShakespeareThompson , E . in Pollard 1923 . Thompson , J . Shakespeare and the Classics , 1952 . Tillyard , E . Shakespeare ' s History Plays , 1944 . Timberlake , P ...
-
The Problem with Pleasure: Modernism and Its Discontents
By Laura FrostIn The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic ...
-
The Alice Books and the Contested Ground of the Natural World
By Laura WhiteSimilarly, he deplored the picturestories of A. B. Frost in his Stuff and Nonsense ... When he'd eaten eighteen, He turned perfectly green, Upon which he ...
-
Fables of Modernity: Literature and Culture in the English Eighteenth Century
By Laura BrownRenew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
-
Questions of Authority: Italian and Australian Travel Narratives of the Long Nineteenth Century
By Laura OlcelliD'Albertis, Luigi. New Guinea: What I Did and What I Saw. 2 vols. London: S. Low, Marston, Searle & Rivington, 1881. First published 1880.
-
A Concordance to Conrad's The Arrow of Gold
By Paul L. Gaston, Todd K. Bender... i ge 3 let S deal ing ge a lings ge at t Joe a f J & at n ce at h-ced ge at hly ue to 3 sec ge is a te debit de cap it a t e u ge c e it ful ge c e i ve ...