From seduced maidens to adulterous wives, bigamists, courtesans, kept women and streetwalkers, the so-called 'fallen woman' was a ubiquitous and enduring figure on the Victorian and Edwardian stage. Acts of Desire traces the theatrical representation of illicit female sexuality from early nineteenth-century melodramas, through sensation dramas, Ibsenite sex-problem plays and suffrage dramas, to early social realism and the well-made plays of Pinero, Jones, Maugham, and Coward. This study reveals and analyses enduring plot lines and tropes that continue to influence contemporary theatre and film. Women's illicit desires became a theatrical focus for anxieties and debates surrounding gender roles, women's rights, sexual morality, class conflict, economics, eugenics, and female employment. The theatre played a central role in both establishing and challenging sexual norms, and many playwrights exploited the ambiguities and implications of performance to stage disruptive spectacles of female desire, agency, energy, and resourcefulness, using ingenuity and skill to evade the control of that ever watchful state censor, the Lord Chamberlain. Covering an astonishing range of theatrical, social, literary, and political texts, this study challenges the currency and validity of the long-established critical term 'the fallen woman', and establishes the centrality of the theatre to cultural and sexual debates throughout the period. Acts of Desire encompasses published and unpublished plays, archival material, censorship records, and contemporary reviews to reveal the surprising continuities, complex debates, covert meanings, and exuberant spectacles which marked the history of theatrical representations of female sexuality. Engaging with popular and 'high art' performances, this study also reveals the vital connections between theatre and its sister arts, tracing the exchange of influences between Victorian drama, narrative painting and the novel, and showing theatre to be a crucial but neglected element in the cultural history of women's sexuality.
A pioneering study by Philip Timberlake, long ignored by mainstream scholarship, revealed the huge difference in the number of lines with feminine endings ...
Questioning the lengths people should go in the name of a cause, Timberlake Wertenbaker's Winter Hill premiered at the Octagon Theatre, Bolton, in May 2017.
The Love of the Nightingale
Based on a historical incident.
Karen Cunningham looks at contemporary records of three prominent cases in order to demonstrate the degree to which the imagination was used to prove treason: the 1542 attainder of Katherine Howard, fifth wife of Henry VIII, charged with ...
This classic collection contains a new essay by Alan Bennett, besides the original introductions to A Private Function, Prick Up Your Ears and The Madness of King George.
When Lucy, an ordinary teenager, feels ignored by her family, she brings her childhood fantasy friend Zara back to life, only to have her materialize and bring with her a dream family for Lucy
Its greatest pleasure comes from Mr Plummer's taking you step by step through Lear's enormous changes in temperament and insight, and justifying every turn on both an intellectual and gut level. I have never seen an audience so ...
Cast: Matte Osian (Richard), Barry Smith (Bolingbroke), Frank O'Donnell (Gaunt), Kadina de Elejalde (Queen), Robert F. McCafferty (Northumberland), David W. Frank (York). Running time 93 minutes. An independent film shot on a disused ...
This edition also includes useful background information including the Potter family tree and a timeline of events from the Wizarding World prior to the beginning of Harry Potter and the Cursed Child.