This text explores the formative period of British television drama, concentrating on the years 1936-55. It examines the continuities and changes of early television drama, and the impact this had upon the subsequent golden age.
The preference for closerange distances in screen versions means that the ' intimate codes - makeup , mimicry , paralinguistics – receive greater attention than they do in stage productions . The screen director can show • characters at ...
On the Borders of Intimacy THOMAS ELSAESSER If the Internet might well claim to be the medium of public intimacy par excellence, with humans exposing their most intimate moments to legions of strangers and often receiving such warm and ...
... lifestyle boom in the 1990s and 2000s, which saw lifestyle concerns increasingly colonise prime-time schedules, that there was sustained scholarly interest in food television. The rise of lifestyle programming contributed to what the ...
Television Drama: Realism, Modernism, and British Culture. ... Everyday Life and Cultural Theory: An Introduction. ... In ITV Cultures: Independent Television Over Fifty Years, edited by Catherine Johnson and Rob Turnock, 143–58.
Considered a collector's item, the first edition of Little Me was like a performance in book form. Now this glittering spoof of celebrity is gloriously reincarnated for connoisseurs of all things chick and cheeky.
Jason Jacobs' study of Deadwood (HBO, 2004-6) combines an in-depth production and reception history with astute analysis of the series' key themes and aesthetic strategies to argue that the show not only marked a radical revision of the ...
Examining the broadcasting traditions of the UK and USA, 'The Television History Book' make connections between events and tendencies that both unite and differentiate these national broadcasting traditions.
Trance Mediums and New Media. The Heritage of a European Term. In Trance Mediums and New Media. Spirit Possession in the Age of Technical Reproduction, edited by Heike Behrend, Anja Dreschke & Martin Zillinger. New York: Fordham Press, ...
In short, what we are offered in the first five minutes of Speaking Parts is the spectacle ofspectatorship as performance. Lisa and Clara perform the intimate in terms oflonging, but also in terms of relating with the image of both the ...
Words and Shadows: Literature on the Screen. Secaucus, Nl: Carol Publishing Group, 1992. Hodgdon, Barbara. “Shakespeare on Film: Taking Another Look.” The Shakespeare Newsletter, 26 (1976): 26. ———. The Shakespeare Trade: Performances ...