From Renoir and Picasso to Red Grooms and Guerrilla Girls, this is the most useful reference work on twentieth-century art available in a one volume. Compiled by Ian Chilvers, the editor of The Oxford Dictionary of Art, it is both authoritative and accessible, with generous use of anecdote and clear explanations of many potentially confusing terms.
Providing broad coverage of painting, sculpture, drawing, and the applied arts, the dictionary has major entries on the important movements and styles of the twentieth century, including Dada, Cubism, Surrealism, Art Deco, Abstract Expressionism, Pop art, Body and Performance art, and Neo Expressionism. In addition there are entries on art schools and galleries, exhibitions and prizes, terms and techniques. The biographies feature not only artists but also collectors, critics, dealers, and patrons. And though the dictionary concentrates on the great names, it is not confined to the mainstream of modern art, featuring many artists working in a more popular tradition as well as interesting peripheral figures (such as the forger Elmyr de Hory).
This up to date and informative guide is an essential reference for anyone interested in modern art.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei