The New Oxford Shakespeare is a landmark print and online project, which for the first time provides fully edited and annotated texts of all extant versions of all Shakespeare's works, including collaborations, revisions, and adaptations. Based on a fresh examination of the surviving original documents, it draws upon the latest interdisciplinary scholarship, supplemented by new research undertaken by a diverse international team. Although closely connected and systematically cross-referenced, each part can be used independently of the others. The New Oxford Shakespeare: The Complete Works: Critical Reference Edition collects the same versions of the same works found in the Modern Critical Edition, keyed to the same line-numbering. But the Critical Reference Edition emphasizes book history and the documentary origins of each text. It preserves the spelling, punctuation, capitalization, abbreviations, typographical contrasts, ambiguities, and inconsistencies of the early documents. Introductions focus on early modern manuscript and print culture, setting each text within the material circumstances of its production, transmission, and early reception. The works are arranged in the chronological order of the surviving texts: the first volume covers documents manufactured in Shakespeare's lifetime, and the second covers documents made between 1622 and 1728. The illustrated general introduction presents an overview of the texts available to editors and describes how they define Shakespeare. An essay on error surveys kinds of error characteristic of these early text technologies. It is followed by a general introduction to the music of Shakespeare's plays. Introductions to individual works and an extensive foot-of-the-page textual apparatus record and discuss editorial corrections of scribal and printing errors in the early documents; marginal notes record press variants and key variants in different documents. Original music notation is provided for the songs (where available). Because the plays were written and copied within the framework of theatrical requirements, casting charts identify the length and type of each role, discuss potential doubling possibilities, and note essential props. The New Oxford Shakespeare consists of four interconnected publications: the Modern Critical Edition (with modern spelling), the Critical Reference Edition (with original spelling), a companion volume on Authorship, and an online version integrating all of this material on OUP's high-powered scholarly editions platform. Together, they provide the perfect resource for the future of Shakespeare studies.
The illustrated general introduction presents an overview of the texts available to editors and describes how they define Shakespeare. An essay on error surveys kinds of error characteristic of these early text technologies.
Blits, Jan H., 'Manliness and Friendship in Shakespeare's Julius Caesar' Interpretation 9 (1981), 155–67. ... Bristol, Michael D., 'The Two Noble Kinsmen: Shakespeare and the Problem of Authority', in Charles H. Frey, ed., Shakespeare, ...
Kahn, Coppélia, 'The Absent Mother in King Lear', in Margaret W. Ferguson, Maureen Quilligan, and Nancy J. Vickers, eds., Rewriting the Renaissance: ... Karim-Cooper, Farah, 'Cosmetics on the Globe Stage', in Christie Carson and Farah ...
This companion volume to The New Oxford Shakespeare: The Complete Works concentrates on the issues of canon and chronology—currently the most active and controversial debates in the field of Shakespeare editing.
A completely new modern-spelling edition of all of Shakespeare's plays and poems, edited afresh from the original texts.
Why all the boyes in Venice follow him, Crying his stones, his daughter, and his ducats. (TLN 1067–77) Again, the cue might be 'ducats' solus, in which case Salarino can be cued into a chorus of affirmation at any point; or it might be ...
1978 ) Kerrigan John Kerrigan , ed . , The Sonnets and A Lover's Complaint ( Harmondsworth , 1986 ) Kerrigan 2 John Kerrigan , ed . , The Motives of Woe : Shakespeare and “ Female Complaint . A Critical Anthology ( Oxford ...
Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his ...
Harold F. Brooks, Arden2 (London: Routledge, 1979)—subsequent references are to this edition, checked against the more recent Oxford text. 27. See, for example, Kemp, Wonder, B3a–b, where the author triumphs first over 'a lusty tall ...
Shakespeare and Text is built on the research and experience of a leading expert on Shakespeare editing and textual studies. The first edition has proved its value as an indispensable and unique guide to its topic.