Why is homosexuality socially marginal yet symbolically central? Why, in other words, is it so strangely integral to the very societies which obsessively denounce it, and why is it history - history rather than human nature - which has produced this paradoxical position? These are just some of the questions explored in this wide-ranging study of sexual dissidence which returns to the early modern period in order to focus, question, and develop issues of postmodernity. In the process it brilliantly links writers as diverse as Shakespeare, Gide, Wilde, and Genet, and cultural critics as different as St. Augustine, Freud, Fanon, Foucault, and Monique Wittig. So Freud's theory of perversion is discovered to be more challenging than either his critics or his advocates usually allow, especially when approached via the earlier period's archetypal perverts, the religious heretic and the wayward woman, Satan and Eve. The book further shows how the literature, histories, and sub-cultures of sexual and gender dissidence prove remarkably illuminating for current debates in literary theory, psychoanalysis, and cultural materialism. It includes chapters on transgression and its containment, contemporary theories of sexual difference, homophobia, the gay sensibility, transvestite literature in the culture and theatre of Renaissance England, homosexuality, and race.
Shame, a powerful emotion, leads individuals to feel vulnerable, victimized, rejected. In Shameless, noted scholar and writer Arlene Stein explores American culture's attitudes toward shame and sexuality.
This collection exploits this framework—while refining and resisting it in places—to show how certain Victorians imagined difference in ways that continue to challenge us today.
As far as media studies is concerned, compelling research has been conducted regarding the construction of gender roles and issues of sexual dissidence in cinema. This is demonstrated by Pilar Aguilar Carrasco's work on the role played ...
As the father of cinematic Surrealism, extensive critical attention has been devoted to Luis Buñuel's cinema. Much has been written about his first Surrealist films of the 1920s and 1930s...
The nation does matter to sexual dissidents and this must not be overlooked within lesbian , gay and queer politics , through I am still undecided whether there is an essential logic to the way sexual dissidence is configured within ...
This book examines and critiques the fact that Chile’s claims to economic exceptionalism have been embodied, often quite aggressively, in a heterosexual, and primarily male, ideal.
In Daniel Fuchs's proletarian novel Summer in Williamsburg, a character named Cohen tries to get directions from a cab driver. “He saw Cohen's splotched face, the goggles, the plastered hair, and the strange expression.
This book analyses the critical reception of Pai Hsien-yung'sCrystal Boys, one of Taiwan's first recognized gay novels and one which has played an important role in redefining sexual modernity and linking this to ongoing cultural dialogues ...
Focusing on the films Bunuel produced in Mexico and Spain during the 1950s and 1960s, Julian Daniel Gutierrez-Albilla argues not that Bunuel's films have a homosexual subplot, but that there are mu.
The War of the Fatties and Other Stories from Aztec History . Trans . Michael Alderson . Austin : University of Texas Press , 1994. ix - lviii . Alfonso X. Las siete partidas del sabio rey Don Alfonso X / nuevamente glosadas por el ...