A new biography of William Shakespeare that explores his private life in Stratford-upon-Avon, his personal aspirations, his self-determination, and his relations with the members of his family and his neighbours. The Private Life of William Shakespeare tells the story of Shakespeare in Stratford as a family man. The book offers close readings of key documents associated with Shakespeare and develops a contextual understanding of the genres from which these documents emerge. It reconsiders clusters of evidence that have been held to prove some persistent biographical fables. It also shows how the histories of some of Shakespeare's neighbours illuminate aspects of his own life. Throughout, we encounter a Shakespeare who consciously and with purpose designed his life. Having witnessed the business failures of his merchant father, he determined not to follow his father's model. His early wedding freed him from craft training to pursue a literary career. His wife's work, and probably the assistance of his parents and brothers, enabled him to make the first of the property purchases that grounded his life as a gentleman. With his will, he provided for both his daughters in ways that were suitable to their circumstances; Anne Shakespeare was already protected by dower rights in the houses and lands he had acquired. His funerary monument suggests that the man of 'small Latin and less Greek' in fact had some experience of an Oxford education. Evidences are that he commissioned the monument himself.
While they were hacking at each other, along came Thomas Watson, good friend of Marlowe's, fellow poet. Watson protested or intervened or drew his own sword – accounts apparently differ – and the next thing wild Master Bradley was ...
... 14–15 Parsons, Robert, 34 Peele, George, 6, 8, 179n7 (chap. 1) Pembroke, Earl of, 64 (his Men), 71, 72 Pericles, 105, 106, 107, 171 Phillips, Augustine, 94, 113 Picasso, Pablo, 21, 55 Plume, Thomas, 23 Plutarch, 85, 91, 174 Pope, ...
Examines representations of Anne Hathaway from the eighteenth century to contemporary portrayals in theatre, biographies and novels.
Dutton (English, U. of Lancaster) is an expert on Ben Jonson, and one of the approaches of his study is asking why Shakespeare wrote differently from Jonson and other contemporary playwrights. Annotation copyrighted by Book News, Inc.
Ellwood P. Cubberley, The History ofEducation (Boston: Houghton Mifflin, 1920), 433; Ovid's Metamorphoses, tr. Arthur Golding, ed. Madeleine Forey (Baltimore: Johns Hopkins University Press, 2002), xi.
This bold and compelling revisionist history tells the remarkable story of the forgotten lives and labours of Shakespeare's women editors.
Charles Nicholl applies a powerful biographical magnifying glass to this fascinating episode in Shakespeare’s life.
His company had always supported the Earl of Essex, who was popular with the ordinary people, and the Earl of Southampton was Essex's closest friend. Essex had been a favourite at court for many years. Although he had annoyed the Queen ...
In every case, Greenblatt brings a flash of illumination to the work, enabling us to experience these great plays again as if for the first time, and with greater understanding and appreciation of their extraordinary depth and humanity ...
Greer meticulously exposes the sexist biases underlying depictions of Ann...and re-creates in lavish detail the material realities of women’s lives in 16th century England.” — Entertainment Weekly “A riveting read.