Every literary household in nineteenth-century Britain had a commonplace book, scrapbook, or album. Coleridge called his collection Fly-Catchers, while George Eliot referred to one of her commonplace books as a Quarry, and Michael Faraday kept quotations in his Philosophical Miscellany. Nevertheless, the nineteenth-century commonplace book, along with associated traditions like the scrapbook and album, remain under-studied. This book tells the story of how technological and social changes altered methods for gathering, storing, and organizing information in nineteenth-century Britain. As the commonplace book moved out of the schoolroom and into the home, it took on elements of the friendship album. At the same time, the explosion of print allowed readers to cheaply cut-and-paste extractions rather than copying out quotations by hand. Built on the evidence of over 300 manuscripts, this volume unearths the composition practices of well-known writers such as Samuel Taylor Coleridge, Sir Walter Scott, George Eliot, and Alfred Lord Tennyson, and their less well-known contemporaries. Divided into two sections, the first half of the book contends that methods for organizing knowledge developed in line with the period's dominant epistemic frameworks, while the second half argues that commonplace books helped Romantics and Victorians organize people. Chapters focus on prominent organizational methods in nineteenth-century commonplacing, often attached to an associated epistemic virtue: diaristic forms and the imagination (Chapter Two); real time entries signalling objectivity (Chapter Three); antiquarian remnants, serving as empirical evidence for historical arguments (Chapter Four); communally produced commonplace books that attest to socially constructed knowledge (Chapter Five); and blank spaces in commonplace books of mourning (Chapter Six). Richly illustrated, this book brings an archive of commonplace books, scrapbooks, and albums to the reader.
This work is a new edition of Thomas Jefferson's literary commonplace book, a notebook of his literary and philosophical reading.
Auden described the book as the closest he would ever come to writing an autobiography; it was, he wrote, a map of my planet.
In effect the personal notebook of a distinguished and highly individualistic novelist and writer, this is an eclectic collection of more than 1,000 short quotations that have struck a chord with the author in the course of her life and ...
Gists, Orts, Shards II: Addendum and Postludes for A Commonplace Book
Or is there something indispensable in the keeping of notebooks without which human beings would be the poorer?" THE LIVING PAGE invites the reader to take a closer look in the timeless company of 19th century educator, Charlotte Mason.
This edition presents the full text of a personal collection of temporale Middle-English sermons, compiled by a parish priest for his own use.
Footprints on the Sands of Time
"Approaching from bibliographical, literary, cultural, and intercultural perspectives, this book establishes the importance of Hesperides, or the Muses' Garden, a largely unexplored manuscript commonplace book to early modern English ...
... alive " . If by this they meant " No human being knows that M. is still ... Somebody knows that p " is necessary , but not sufficient , since " It's not ... I'm 278 NOTEBOOK VI.