From the seventeenth century Cavaliers and Uncle Tom's Cabin to Civil Rights museums and today's conflicts over the Confederate flag, here is a brilliant portrait of southern identity, served in an engaging blend of history, literature, and popular culture. In this insightful book, written with dry wit and sharp insight, James C. Cobb explains how the South first came to be seen--and then came to see itself--as a region apart from the rest of America. As Cobb demonstrates, the legend of the aristocratic Cavalier origins of southern planter society was nurtured by both northern and southern writers, only to be challenged by abolitionist critics, black and white. After the Civil War, defeated and embittered southern whites incorporated the Cavalier myth into the cult of the "Lost Cause," which supplied the emotional energy for their determined crusade to rejoin the Union on their own terms. After World War I, white writers like Ellen Glasgow, William Faulkner and other key figures of "Southern Renaissance" as well as their African American counterparts in the "Harlem Renaissance"--Cobb is the first to show the strong links between the two movements--challenged the New South creed by asking how the grandiose vision of the South's past could be reconciled with the dismal reality of its present. The Southern self-image underwent another sea change in the wake of the Civil Rights movement, when the end of white supremacy shook the old definition of the "Southern way of life"--but at the same time, African Americans began to examine their southern roots more openly and embrace their regional, as well as racial, identity. As the millennium turned, the South confronted a new identity crisis brought on by global homogenization: if Southern culture is everywhere, has the New South become the No South? Here then is a major work by one of America's finest Southern historians, a magisterial synthesis that combines rich scholarship with provocative new insights into what the South means to southerners and to America as well.
Away Down South in Dixie: Southern Belle Civil War Book 8
In this unique synthesis of political, cultural, and intellectual history, James C. Cobb spans more than two centuries in tracing the origins and development of the South as not just an exception to the national rule, but as an internal ...
Accidentally caught up in the Civil War, Addison LaFleur wanted nothing more than to get home.
Southern Belle Civil War - Away Down South: Romance Short Stories
Abigail smiled in spite of herself. She was going to be an aunt. Abigail's beau had been killed at the first Battle of Bull Run, dashing her own dreams of having a family. Now that the war had either taken away or damaged all the ...
198 ; Michael Oreskes , " Texas in Black and White , " New York T1mes Book Review , 16 December 1990 , p . ... 122 ; Reed , Whistling Dixie : Dispatches from the South ( Columbia , Mo. , 1990 ) , 67 ; Wilson and Ferris , Encyclopedia of ...
Jennings's early days performing with rock 'n' roll great Buddy Holly came through in the heavy, rocking beat of many of his most popular songs, including “Good Hearted Woman” (1972) and “I'm a Ramblin' Man” (1974).
The classic novel of speculative history, showing how the South could have won the Civil War, is accompanied by the author's essay on his work.
... Away , away , away down South in Texas . And when we all got pretty full , We then began to act the fool , Away , away , away down South in Texas . The object was to have a spree , So we tapt the liquor very free , Away , away , away down ...
NOVELS in the series: Love Always Beyond Enemy Lines Hearts Under Siege Hearts Under Fire Wait for Me Take Me Home Keep Me Safe Away Down South in Dixie The Reluctant Bride