In this set of thorough and revisionary readings of Percy Bysshe Shelley's best-known writings in verse and prose, Hogle argues that the logic and style in all these works are governed by a movement in every thought, memory, image, or word-pattern whereby each is seen and sees itself in terms of a radically different form. For any specified entity or figure to be known for "what it is," it must be reconfigured by and in terms of another one at another level (which must then be dislocated itself). In so delineating Shelley's "process," Hogle reveals the revisionary procedure in the poet's various texts and demonstrates the powerful effects of "radical transference" in Shelley's visions of human possibility.
Fair - Copy Manuscripts of Shelley's Poems in European and American Libraries . ... New Shelley Letters in a John Gisborne Notebook ' , David M. and Marion Kingston Stocking . ... Percy Bysshe Shelley : Selected Poems , ed .
But where I begin to diverge from O'Neill is in attaching more weight to the importance of philosophical thought in ... 60 Ewan James Jones, Coleridge and the Philosophy of Poetic Form (Cambridge: Cambridge University Press, 2014), p.
metonymy , with its “ mechanical and habitual agents ” ( 174 ) , and human beings begin to conceive of themselves not as one with the other , but as one among others — in this case as discrete , hard , corpuscular objects — alienated ...
The Gothick Taste. Newton Abbot, Devon: David & Charles, 1971. Davies, Paul. "Is the Universe a Machine?" In Hall, Guide to Chaos, 213-21. Davis, B.E.C. Edmund Spenser: A Critical Study. Cambridge: Cambridge University Press, 1933.
234) when 'Our hills and seas and streams' (l. 235) 'Wailed for the golden years' (l. 238). The new 'golden years' mean making a truce with the religion (Christianity) that is held responsible earlier for their loss.
Smith , Adam , An Inquiry into the Nature and Causes of the Wealth of Nations , ed . R.H. Campbell , A.B. Skinner and W.B. Todd , 2 vols . Oxford : Clarendon Press , 1976 . Smith , James , The Baby's Debuť .
57 seem that when he finds himself prostrate " on the altar of [ Harriet Grove's ] perjured love , " Shelley's radical appropriation of the Passion supersedes his early sympathetic identification with Christ as an " idealized selfobject ...
The review of The Revolt of Islam concludes with this dark hint about Shelley: "if we might withdraw the veil of private ... a disgusting picture that we should exhibit, but it would be an unanswerable comment on our text" (RR,C, 776).
... Chaos of History, 249487. Rieder, “Shelley's 'Mont Blanc' ”, 778498. Peirce, Collected Papers of Charles Sanders Peirce, I. 171, 339; Eco, A Theory of Semiotics, 69. On the pertinence of the concept of the interpretant to literary ...
This is a reproduction of a book published before 1923.