Before the Internet, camcorders, and hundred-channel cable- systems--predating the Information Superhighway and talk of cyber-democracy--there was guerilla television. Part of the larger alternative media tide which swept the country in the late sixties, guerilla television emerged when the arrival of lightweight, affordable consumer video equipment made it possible for ordinary people to make their own television. Fueled both by outrage at the day's events and by the writings of people like Marshall McLuhan, Tom Wolfe, and Hunter S. Thompson, the movement gained a manifesto in 1971, when Michael Shamberg and the raindance Corp. published Guerilla Television. As framed in this quixotic text, the goal of the video guerilla was nothing less than a reshaping of the structure of information in America. In Subject to Change, Deidre Boyle tells the fascinating story of the first TV generation's dream of remaking television and their frustrated attempts at democratizing the medium. Interweaving the narratives of three very different video collectives from the 1970s--TVTV, Broadside TV, and University Community Video--Boyle offers a thought-provoking account of an earlier electronic utopianism, one with significant implications for today's debates over free speech, public discourse, and the information explosion.
Realizing that in both life and business, everything is subject to change.
... Texts for Change : Theory / Pedagogy / Politics ( Urbana : University of Illinois Press , 1991 ) . classroom practices . What is the difference , between gender Government, Binding and Unbinding: Alienation and the Subject of ...
This book is essential reading for anyone interested in Magor's practice, as well as the history of Canadian art since the 1970s.
In Godwin's view the anthology's greatest flaw is that it is "organized to bear out Virginia Woolf's opinion that women's 'books continue each other' " (13). Godwin goes on to object that "the editors might more appropriately have ...
This book explores the impact new information and communication technologies are having on teaching and the way children learn.
A slow burn with an explosive finish, this is not a book to put down. The start of the book is devoted entirely to world-building and to defining the main character, without which the rest of the story will be impossible to understand.
VideoMaker, 52, 232 n.19 video producers vs. social animators, 33 video style, 27 video theater, 26–27 video vérité, 63, 120 vidicon tube, 38 Viet, Vietnam, Vietnamization (UCV), 235 ná Vietnam: Picking up the Pieces (DCTV), ...
Her testimonial subjectivity is subject to change : the testimonial process changes her self - representation as she actively negotiates the shifts in her circumstances . She receives change and manipulates it .
People change only when something they are doing no longer works for them. People change for their own benefit and reasons. ... Trying to change someone can only cause you to be worse off than when 128 Subject to Change.
In psychotherapy and life, change seems to be a fairly predictable process of transformation. Subjective life progresses through ... These universal constraints can be studied as archetypes, or primary imprints, on the human subject.