Since Glenn Gould's death in 1982, the pianists extraordinary talent has captivated new listeners through re-release of his most famous recordings. Recently, a stage play and a feature film introduced the eccentric artist to a new audience. With the publication of these 184 letters, a wide range of Gould's artistic activities is presented. Whether he is writing to esteemed musicians such as Leonard Bernstein or Leopold Stokowski, or to friends and colleagues in the world of performingand broadcasting, or answering the numerous fans who sent him questions, Gould explores all aspects of the art of making music. In his own words, we hear about his favourite Bach, the choice of tempi for Beethoven's late piano sonatas, the power of Richard Strauss and Arnold Schoenberg, to name only a few of his musical concerns that fill his correspondences. His letters, which concentrate on the creative life, provide a rare glimpse into how the man worked, suggesting, finally, why he devoted himself to music with such dedication and single-mindedness. A valuable addition to "Gouldiana", Glenn Gould: Selected Letters will give pleasure to all students of the piano, admirers of Gould, and music-lovers who have ever wondered how a great musician thinks about his art.
... Luisa 74,123, 124 Thom, Paul 2 Thomas, Amboise 29 Thompson, Gordon 95 Thurman, Leon 66, 68, 88 Timberlake, Craig 9, 23, 37 Tinctoris, 165 Titze, ...
... by a full cycle per second, from 6.5 Hz (e.g., Enrico Caruso [Dejonckere et al., 1995]) to 5.5 Hz (e.g., Luciano Pavarotti [Keidar, Titze, & Timberlake ...
Timberlake, C. (1986). The 'pop' singer and the voice teacher (From the American Academy of Teachers of Singing). The NATSJournal, September/October, 21, ...
... Joseph C.95 Stendhal (Beyle, Henri) 31 Steptoe, Andrew 3, 175 Stevens, ... Gordon 95 Thurman, Leon 66, 68,88 Timberlake, Craig 9, 23, 37 Tinctoris, ...
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2, footnote cites uvedale Price, An Essay on the Picturesque, as compared with the sublime and the beautiful, and, on the use of studying pictures for the purpose of improving real landscape (London: printed for J. Robson, 1794), p.