The tumultuous last decades of British colonialism in India were catalyzed by more than the work of Mahatma Gandhi and violent conflicts. The concurrent upheavals in Western art driven by the advent of modernism provided Indian artists in post-1920 India a powerful tool of colonial resistance. Distinguished art historian Partha Mitter now explores in this brilliantly illustrated study this lesser known facet of Indian art and history. Taking the 1922 Bauhaus exhibition in Calcutta as the debut of European modernism in India, "The Triumph of Modernism" probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art. Mitter casts his gaze across a myriad of issues, including the emergence of a feminine voice in Indian art, the decline of "oriental art," and the rise of naturalism and modernism in the 1920s. Nationalist politics also played a large role, from the struggle of artists in reconciling Indian nationalism with imperial patronage of the arts to the relationship between primitivism and modernism in Indian art. An engagingly written study anchored by 150 lush reproductions, "The Triumph of Modernism" will be essential reading for scholars of art, British studies, and Indian history.
Bowen, Conservators, and to Woodman Taylor, of the Department of Islamic and Later Indian Art, all of whom have devoted much time and effort to INDIA! The globe-trotting phase of exhibition planning was occasionally interrupted by ...
Aspects of Indian Art: Papers Presented in a Symposium at the Los Angeles County Museum of Art, October, 1970
Indian art: a concise history : 200 illustrations, 30 in colour
Translation of Citrasūtra, manual of painting; portion of Viṣṇudharmottarapurāna.
Oxford History of World Cinema . New York : OUP , 1997 . Ojha , Rajendra ( Ed . ) . Screen World Annual 1986. Bombay : Screen World , 1986 . --- National Film Award Winners 1953–2000 and Dadasaheb Phalke awardees 1969–2000 .
A first of its kind, this book invited 54 artists, curators, historians and writers to each create a list of five works of art, made at any time since 1900, by artists living in India or identifying as part of its diaspora.
Gopis, Goddesses & Demons: Indian & Islamic Works of Art
This lavishly illustrated book examines the real and perceived worlds of the maharaja, from the early eighteenth century to 1947, when the Indian princes ceded their territories into the modern states of India and Pakistan.
The Bauhaus in Calcutta: An Encounter of Cosmopolitan Avant-gardes
A rich primer on the different schools of art and the most significant movements in Indian art history, A Brush with Indian Art might even nudge you into propping up your first canvas!