"At the same time that this chapter continues to introduce readers to Tete Montoliu's life, musical work, and impact, it also challenges certain transnational assumptions regarding Spanish jazz. It is important to attend to ways in which the listening practices of mid-twentieth-century Anglophone audiences were shaped by the popular jazz market. In particular, it is by dispensing with misrepresentations of the connection between jazz and flamenco that readers can move beyond mere sketches of Spain and begin to appreciate the full complexity of Iberian jazz. This effort is further supported by Montoliu's own strong opinion that "Mezclar flamenco con el jazz es como mezclar las almejas con el chocolate. Es una mezcla imposible de digerir" [Mixing flamenco with jazz is like mixing clams with chocolate. It is a mixture that is impossible to digest"--
Another member of the band , DANNY BARKER , told of the problems Gillespie had : Be - bop " Some of us began to jam at Minton's in Harlem in the early ' forties . But there were always some cats showing up there who couldn't blow at all ...
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J.J. Johnson b . 1924 The trombone , with its unwieldy slide , is not ideally suited to the rapid , angular lines of bebop . J.J. Johnson was the first trombonist to show that bebop was even possible on the instrument when he played ...
"A big juicy wedge of jazz history.
Native Philadelphian Bruce Morris , who began renovating the space in 1981 while staging performances all over the neighborhood , runs 5C with a partner , Trudy Silver . Its continued existence relies on its founder ' s capacity for ...
Director: Jack Webb; Screenplay: Richard L. Breen; Editor: Robert M. Leeds. 91 mins., color, 35mm. ... PIE, PIE, BLACKBIRD. United Artists Collection The Vitaphone Corp./Warner Bros. Pictures, Inc., 1932. Director: Roy Mack.
In the middle thirties , the Milt Larkins Orchestra of Houston came into regional prominence thanks to the talents of three remarkable saxophonists , Arnette Cobb , Illinois Jacquet , and Eddie Cleanhead Vinson .
LISTENING GUIDE " Gertrude's Bounce " featuring Clifford Brown and Sonny Rollins Recorded January 4 , 1956 in New York City by Clifford Brown ( trumpet ) , Sonny Rollins ( tenor saxophone ) , Richie Powell ( piano ) , George Morrow ...
1012 jazz-melodier fra 1900 til i dag
Accurate price guide for instrumental and vocal jazz albums available.