During the first half of the twentieth century, Atlantic City was the nation's most popular middle-class resort--the home of the famed Boardwalk, the Miss America Pageant, and the board game Monopoly. By the late 1960s, it had become a symbol of urban decay and blight, compared by journalists to bombed-out Dresden and war-torn Beirut. Several decades and a dozen casinos later, Atlantic City is again one of America's most popular tourist spots, with thirty-five million visitors a year. Yet most stay for a mere six hours, and the highway has replaced the Boardwalk as the city's most important thoroughfare. Today the city doesn't have a single movie theater and its one supermarket is a virtual fortress protected by metal detectors and security guards. In this wide-ranging book, Bryant Simon does far more than tell a nostalgic tale of Atlantic City's rise, near death, and reincarnation. He turns the depiction of middle-class vacationers into a revealing discussion of the boundaries of public space in urban America. In the past, he argues, the public was never really about democracy, but about exclusion. During Atlantic City's heyday, African Americans were kept off the Boardwalk and away from the beaches. The overly boisterous or improperly dressed were kept out of theaters and hotel lobbies by uniformed ushers and police. The creation of Atlantic City as the "Nation's Playground" was dependent on keeping undesirables out of view unless they were pushing tourists down the Boardwalk on rickshaw-like rolling chairs or shimmying in smoky nightclubs. Desegregation overturned this racial balance in the mid-1960s, making the city's public spaces more open and democratic, too open and democratic for many middle-class Americans, who fled to suburbs and suburban-style resorts like Disneyworld. With the opening of the first casino in 1978, the urban balance once again shifted, creating twelve separate, heavily guarded, glittering casinos worlds walled off from the dilapidated houses, boarded-up businesses, and lots razed for redevelopment that never came. Tourists are deliberately kept away from the city's grim reality and its predominantly poor African American residents. Despite ten of thousands of buses and cars rolling into every day, gambling has not saved Atlantic City or returned it to its glory days. Simon's moving narrative of Atlantic City's past points to the troubling fate of urban America and the nation's cultural trajectory in the twentieth century, with broad implications for those interested in urban studies, sociology, planning, architecture, and history.
Sarah Brannigan's life has fallen to pieces at the age of forty-five.
Ella and her brother James are heading to the Boardwalk for some fun. There are rides and lots of fun. The air is crisp and food is everywhere. The best thing on the boardwalk are the Boardwalk Fries!
As their bond grows closer, they challenge one another to become the best versions of themselves in this heartachingly beautiful story of friendship, sisterhood and the transformative power of love.
a tête-bêche book bringing together two of Dominic Albanese's earlier chapbooks
In deftly interwoven passages, MR. BOARDWALK traces the excitement and perils of the young Jason and the moral growth of the adult who must come to terms with the past.
Boardwalk: The Novella, by R.R. Vincench, follows the troubled life of a young man named Matthew, starting from the night when he finds himself on an endless boardwalk in the middle of nowhere.
In this new novel from the USA Today bestselling author of The Dressmaker’s Dowry, two young women two generations apart discover the joy and heartbreak of following their dreams.
“If I had back half of the money I spent at these booths, I could finance the boardwalk for the next fifty years,” he said as she joined him. “Nobody can resist the pull of games of chance. There's always the chance that for a mere ...
The Dream Catcher symbolizes the dream of the Native Cherrokee who dreams of prosperity, happiness, and love.
Wildwood's earliest amusements pioneer was Gilbert Blaker , a Philadelphia wallpaper merchant . Blaker leased the Excursion Pavilion , expanded it into Blaker's Pier , and each season offered something new — a carousel , an ice cream ...