In this distinguished work, which Hilton Kramer in The New York Times Book Review called "surely the best book ever written on the subject," Barbara Novak illuminates what is essentially American about American art. She highlights not only those aspects that appear indigenously in our art works, but also those features that consistently reappear over time. Novak examines the paintings of Washington Allston, Thomas Cole, Asher B. Durand, Fitz H. Lane, William Sidney Mount, Winslow Homer, Thomas Eakins, and Albert Pinkham Ryder. She draws provocative and original conclusions about the role in American art of spiritualism and mathematics, conceptualism and the object, and Transcendentalism and the fact. She analyzes not only the paintings but nineteenth-century aesthetics as well, achieving a unique synthesis of art and literature. Now available with a new preface and an updated bibliography, this lavishly illustrated volume--featuring more than one hundred black-and-white illustrations and sixteen full-color plates--remains one of the seminal works in American art history.
A stunning view of one of the most important collections in the world. The Thyssen-Bornemisza is perhaps the definitive collection of 19th century American painting. In this fascinating catalog, Barbara...
American Paintings of the Nineteenth Century
Powers Vivien Green Fryd , ' Hiram Powers's Greek Slave , Emblem of Freedom ' , American Art Journal XIV , No. ... Nation and Narration ( London , 1990 ) ; Richard D. Brown , The Strength of a People : The Idea of an Informed Citizenry ...
Nineteenth-century American Painting: Catalogue
A specifically American form of art emerged in the nineteenth century that was much more than just a reflection of European developments or stylistic trends. It was a period during...
(This book was originally published in 1969/70.)
Earlier ed. (1969) published in 2 separate v.: American painting, from its beginnings to the Armory Show, by J.D. Prown, and American painting, the 20th century, by B. Rose.
This book contains a list of all 5,000 Salon works exhibited by Americans throughout the century, which includes not only the titles of works shown at each exhibition, but also a record of artists' teachers and their addresses.
First published in 1977.
With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail.