Robert Ellrodt's study of seven poets--springing from his wide-ranging three-volume work, Les Po�tes m�taphysiques anglais--challenges the postmodernist assumption that no definite or constant self can be traced in the works of a writer. Distinct modes of self-awareness, different emphases in the perception of time and space, and various ways of grasping the sensible and the spiritual, the human and the divine, jointly or separately characterize the minds of Donne and George Herbert, Crashaw and Vaughan, Lord Herbert, Marvell, and Traherne. Fundamental mental structures affect their attitudes to love, death, and God, and dictate their privileged modes of composition and expression.
Without neglecting the relations between these individual traits and the general evolution of thought from classical antiquity to the Renaissance, or the immediate cultural environment in which each poet wrote, this critical study maintains the primacy of individual choice, of the "unchanging self." The book is not based on a theory, but on a close scrutiny of the characteristic interplay of personal modes of thought and sensibility.
This critical study of seven metaphysical poets challenges the postmodernist assumption that no definite or constant self can be traced in the works of a writer, maintaining the primacy of individual choice and the interplay of personal ...
This book is a volume in the Penn Press Anniversary Collection.
Presents a collection of critical essays about the works of John Donne and other metaphysical poets.
Seven Metaphysical Poets : A Structural Study of the Unchanging Self . Oxford : Oxford UP , 2000 . Elsky , Martin . “ The Sacramental Frame of George Herbert's “ The Church ” and the Shape of Spiritual Autobiography .
2.4 The third and fourth stanzas: fighting God 2.5 Stanzas five and six: finding peace 2.6 Stanza seven: prospective union 3. Spiritual attunement in “Hymne to God my God, in my sicknesse” 3.1 The title 3.2 The first stanza: the speaker ...
But even though the sonnet displays " spiritual impotence , " it , like HSLittle , possesses an energy level that is " nothing less than manic . " Both sonnets , he concludes , are " dynamic poems about paralysis . " Strier ( 1989 ...
William Empson (analyses of a number of lyrics by Donne and the other metaphysical poets in his Seven Types of Ambiguity, London, 1930). Reissued as a Meridian Book, 1955. J. E. V. Crofts, “John Donne,” 1937 (included in Gardner, ...
2004. Psalm Culture and Early Modern English Literature. Cambridge: Cambridge University Press. ———. 2008a. “Poetic Re-Creation in John Donne's 'A Litanie.'” In The Sacred and Profane in English Renaissance Literature, ed.
“ A Suggestion for Reading Edward Taylor's ' The Preface , Early American Literature 5 ( 3 ) , Winter 1970-71 , 80-82 . John GATTA , JR . “ The Comic Design of Gods Determinations touching his Elect , ” Early American Literature 10 ( 2 ) ...
herne's indebtedness to Neo-Platonism and the metaphysical poets, these studies stay well within the bounds of ... only goes so far as to call Traherne's relationship to creation a “sensual idealism” (Ellrodt, Seven Metaphysical Poets, ...