F. W. Sternfeld examines the role of poets and composers in establishing the new genre of opera in northern Italy around 1600. He discusses the problems of sung drama, particularly the required happy ending and its foil, the lament, and highlights the enduring appeal, from Poliziano through toMonteverdi, to Stravinsky, of the story of Orpheus the divine singer.
... and Drama are best exemplified in Der Ring des Nibelungen, which consists of four consecutive dramas: Das Rheingold, shorter Stage design by Joseph Hoffmann For Act III, scene i ... See Newman, The Life of Richard Wagner, 21159—61.
But Da Ponte had made a point of ingratiating himself with joseph II, and probably did act as intermediary between Mozart and ... Kelly's story, however, that there were three operas 'now on the tapis', and that Mozart was 'as touchy as ...
This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
... picture of the composer ever in attendance: While his melodies cheer the world with their merry playfulness, while they are sung and hummed everywhere, he himself, a terrible image of imbecility, sits in a sanatorium near Paris.
Curtis, however, argues that Busenello's print On these differences, see Curtis, preface to L'incoro- is probably closest to his original text (preface to nazione di Poppea, and id., “La Poppea impasticciata"; L'incoronazione di ...
The symposium and the birth of opera ; The Renaissance banquet as multimedia art ; Orpheus at the cardinal's table ; Eating at the opera house -- "Tastes funny" : tragic and comic meals from Monteverdi to Mozart ; Comedy as embodiment in ...
... la meraviglia” (the aim of the poet is to marvel), a sentence that might have been extended de facto to the aims of opera producers. Finally, breaking with the principle of verisimilitude also allowed the incogniti—and opera—to set ...
Westport, CT: Greenwood Press, 1978. Grout, Donald Jay, and H. W. Williams. A Short History of Opera. 4th ed. New York: Columbia University Press, 2003. Holden, Amanda, ed. The New Penguin Opera Guide. London: Penguin, 2001.
Opera: A History
THE purpose of this volume is to offer to the English reader a short study of the lyric drama in Italy prior to the birth of opera, and to note in its history the growth of the artistic elements and influences which finally led the ...