This volume is an interdisciplinary study of the influence of the operas, writing, and personality of Richard Wagner (1813-1883) on the work of Aubrey Beardsley (1872-1898). In exploring Beardsley's often iconoclastic versions--or perversions--of Wagner's work Aubrey Beardsley and British Wagernism in the 1890s aims to investigate the role of Wagnerism with "fin-de-si�cle" British culture, in particular the relations between Wagnerism and contemporary decadence.
This groundbreaking study explores the formative influence of classical music on Woolf's writing, illustrating the importance of music to Woolf's domestic, social and creative lives.
Emma Sutton, Aubrey Beardsley and British Wagnerism in the 1890s (Oxford: Oxford University Press, 2001), 1; see also Theresa Muir, “Wagner in England: Four Writers before Shaw” (PhD diss., The City University of New York, 1997).
... Continuing the Tradition, Chappel Galleries, Chappel 1999, Pop Impressions, Europe/USA: Prints and Multiplesfrom the Museum ofModern Art, Museum of Modern Art, New York 2004, Art and the 60s: This was Tomorrow, Tate Britain, London, ...
Emma Sutton, Aubrey Beardsley and British Wagnerism of the 1890s (Oxford: Oxford University Press, 2002), 100. John Paul Riquelme, “T. S. Eliot's Ambivalences: Oscar Wilde as Masked Precursor,” The Hopkins Review 5, no.
Vielé-Griffin uses a perceived ideal Englishness to highlight the failings of current French literature in a way similar to that in which Symons had eulogized the ease of exchange and discussion in Parisian literary circles as a ...
Thus the interview reveals that the true marvel here is not the uncanny phenomenon in itself, but that which produces the ... which becomes machinic in and through its production of the spectacle of the uncanny as a marketable good.
5 (Cambridge: Cambridge University Press, 1993), Introduction; Charles Youmans, Richard Strauss's Orchestral Music and the German Intellectual Tradition: The Philosophical Roots of Musical Modernism (Bloomington: Indiana University ...
7 The overexuberance of The Longest Journey is attributable in part to its multivalent appropriation of Wagnerism, ... Emma Sutton, in her outstanding study of Aubrey Beardsley and British Wagnerism in the 1890s, has documented the ...
In Beardsley's text, music is both prop and synonym for seduction. The majesty and dignity of ... See Emma Sutton, Aubrey Beardsley and British Wagnerism in the 1890s (Oxford: Oxford University Press, 2002). 37 go decline – a “starved ...
Both Dostoevsky and Kafka insist that art must reveal the gaps in our world in order to point beyond this physical life to a life ... In Notes from Underground, the Double and Other Stories, translated by Constance Garnett, 173-228.