Fear is one of the most primal emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? Delving into the darkest corners of horror literature, films, and plays, Darryl Jones explores its monsters and its psychological chills, discussing why horror stories disturb us, and how they reflect society's taboos.
In Teaching the Gothic, edited by Anna Powell and Andrew Smith, 29-47. Basingstoke: Palgrave, 2006. ... 1: 109-11. "Horrid” (Northanger) Novels Glock, Waldo S. ”Catherine Morland's Gothic Delusions: Bibliography 287.
Newly married, newly widowed Elsie is sent to see out her pregnancy at her late husband's crumbling country estate, The Bridge.
Three classic Gothic novels: Horace Walpole's The Castle of Otranto, Thomas Love Peacock's Nightmare Abbey and William Beckford's Vathek
Set in the village of Chapelizod, near Dublin, in the 1760s, the story opens with the accidental disinterment of an old skull in the churchyard, and an eerie late-night funeral.
'Professor Hughes has created an indispensable volume for anyone interested in Gothic studies. His scholarship is rich and elegant. This is a work to be used and cherished and frequently revisited, and will not be outgrown in years of use.
'Professor Hughes has created an indispensable volume for anyone interested in Gothic studies. His scholarship is rich and elegant. This is a work to be used and cherished and frequently revisited, and will not be outgrown in years of use.
These essays identify the Gothic tradition as the cultural context for understanding texts dealing explicitly with terror and horror and works expressing Moore's interest in magic and psychogeography.
Development ofthe Horror Genre (Jefferson, NC: McFarland, 2008); Cemetery Dance magazine; The Complete Review; Ellen Datlow's yearly “Summation” from The Years Best Fantasy and Horror (New York: St. Martin's, through the twenty-first ...
Throughout the collection, the Gothic heroine's representation is explored within the medium, which brings together image, movement, and sound, and this technological fact takes on varied significance.
De Manian deconstruction's Gothic reanimation of the machine as an autonomic nervous system can be set against the current techno-euphoria among posthumanists influenced by Deleuze and Guattari's theories of machinic assemblages.