Somewhere between 1910 and 1970, architecture changed. Now that modern architecture has become familiar (sometimes celebrated, sometimes vilified), it's hard to imagine how novel it once seemed. Expensive buildings were transformed from ornamental fancies which referred to the classical and medieval pasts into strikingly plain reflections of novel materials, functions, and technologies. Modern architecture promised the transformation of cities from overcrowded conurbations characterized by packed slums and dirty industries to spacious realms of generous housing and clean mechanized production set in parkland. At certain times and in certain cultures, it stood for the liberation of the future from the past. This Very Short Introduction explores the technical innovations that opened up the cultural and intellectual opportunities for modern architecture to happen. Adam Sharr shows how the invention of steel and reinforced concrete radically altered possibilities for shaping buildings, transforming what architects were able to imagine, as did new systems for air conditioning and lighting. While architects weren't responsible for these innovations, they were among the first to appreciate how they could make the world look and feel different, in connection with imagery from other spheres like modern art and industrial design. Focusing on a selection of modern buildings that also symbolize bigger cultural ideas, Sharr discusses what modern architecture was like, why it was like that, and how it was imagined. Considering the work of some of the historians and critics who helped to shape modern architecture, he demonstrates how the field owes as much to its storytellers as to its buildings. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
(C) DACS 2002. 2. Fugène Rousseau. Jardinière, 1887. Musée des Arts Décoratifs, Paris/photo Laurent-Sully Jaulmes. Tous droits réservés. 3. ... Photo Courtesy The Frank Lloyd Wright Archives, Scottsdale, AZ. Ç) ARS, NY and DACS, ...
In 1896, Otto Wagner's "Modern Architecture" shocked the European architectural community with its impassioned plea for an end to eclecticism and for a "modern" style suited to contemporary needs and ideals, utilizing the nascent ...
This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new...
the casa sobre el arroyo (house over the Brook, aka Bridge house) designed by amancio Williams in mar del Plata, argentina, is often compared to or described as a simplified version of Frank lloyd Wright's Fallingwater (Bear run, Pa, ...
More than thirty countries and more than a decade later, the fruits of that monumental project are gathered in this impressive collection covering nearly a century of architectural history.
Transformations in Modern Architecture
Through illuminating studies of the leading men and women who forever changed our built environment, veteran architecture critic Martin Filler offers fresh insights into this unprecedented cultural transformation.
In this book the buildings are the quotations, while the texts are the structure.
The format of this work is richly handsome: the two-volume set contains well over1000 high-quality illustrations. This volume is concerned with the modern movement proper, from 1914to 1966.
... author of the great modern novel s promessi Sposi , symbolised the potential achievements of bourgeois Italy Gaetano Koch's Esedra ( 1880 ) the Risorgimento the Cathedral the Galleria the royal Palace 10 anodinnnn nen.