Shakespeare and Text is built on the research and experience of a leading expert on Shakespeare editing and textual studies. The first edition has proved its value as an indispensable and unique guide to its topic. It takes Shakespeare readers to the very foundation of his work, explaining how his plays first took shape in the theatre where writing was part of a larger collective enterprise. The account examines the early modern printing industry that produced the earliest surviving texts of Shakespeare's plays. It describes the roles of publisher and printer, the controls exerted through the Stationers' Company, and the technology of printing. A chapter is devoted to the book that gathered Shakespeare's plays together for the first time, the First Folio of 1623. Shakespeare and Text goes on to survey the major developments in textual studies over the past century. It builds on the recent upsurge of interest in textual theory, and deals with issues such as collaboration, the instability of the text, the relationship between theatre culture and print culture, and the book as a material object. Later chapters examine the current critical edition, explaining the procedures that transform early texts in to a very different cultural artefact, the edition in which we regularly encounter Shakespeare. The new revised edition, which builds on Jowett's research for the New Oxford Shakespeare, engages with scholarship of the past decade, work that has transformed our understanding of textual versions, has opened up the taxonomy of Shakespeare's texts, and has significantly extended the picture of Shakespeare as a co-author. A new chapter describes digital text, digital editing, and their interface with the traditional media.
Introduction. Shakespeare/Text / by Claire M.L. Bourne -- I. Inclusive/Exclusive. 1. Fair/Foul / by B.K. Adams (Arizona State University, USA) ; 2. Text/Paratext / by Hannah August (Massey University, New Zealand) ; 3.
Leo Hughes, University of Texas. Subject: Eighteenth-century theatrical audiences. Edwin H. Miller, Simmons College. Subject: The English literary profession, 1550-1630. William Ringler, Washington University.
Confronted with evidence that his uncle murdered his father, and with his mother’s infidelity, Hamlet must find a means of reconciling his longing for oblivion with his duty as avenger.
A cutting-edge and comprehensive reassessment of the theories, practices and archival evidence that shape editorial approaches to Shakespeare's texts.
9 Wither's account of the stationer's statutory freedom “ to belye his Authors intentions ” ( sig . H5 ' ) is largely correct , though , in fairness , most stationers did make reasonable attempts to produce an accurate text .
The essays in Shakespeare Reproduced offer a political critique of Shakespeare's writings and the uses to which those writings are put Some of the essays focus on Shakespeare in his own time and consider how his plays can be seen to ...
10 Performance and the Text 168 Traces of early performance 170 Editing for performance 176 11 Textual Theories and Difficult Cases: Hamlet and Pericles 185 Shakespeare's texts and early editions 186 Enter the New Bibliography 190 The ...
This volume focuses on both the texts of Shakespeare's plays, and the many contexts in which they have been produced, from their first performances to contemporary reproductions.
This landmark collection of newly-commissioned essays by leading international scholars, offers expert close readings of Shakespeare and other early modern authors.
Romeo and Juliet, one of the greatest love stories ever told . . . in texts?