This book offers a nuanced look at the intersection of music, cultural identity, and political ideology in late-nineteenth-century Vienna. Drawing on an extensive selection of writings in the city's political press, correspondence, archival documents, and a large body of recent scholarship in late Habsburg cultural and political history, author David Brodbeck argues that Vienna's music critics were important agents in the public sphere whose writings gave voice to distinct, sometimes competing ideological positions. Often at stake in the critical discourse was the question of who and what could be deemed 'German' in the multinational Austrian state. This body of music-critical writing reveals a continuum of exclusivity, from a conception of Germanness rooted in social class and cultural elitism to one based in blood. Brodbeck neatly counters decades of musicological scholarship and offers an insight into the diverse ways in which educated German Austrians conceived of Germanness in music and understood their relationship to their non-German fellow citizens.
The book thus offers insight into how educated German Austrians conceived of Germanness in music and understood their relationship to the 'non-Germans' in their midst.
11 Brodbeck, Defining Deutschtum, 143–81. 12 Mark Evan Bonds, Music as Thought: Listening to the Symphony in the Age of Beethoven (Princeton, NJ: Princeton University Press, 2006) 63–103; Brodbeck, Defining Deutschtum, 181–82.
Explores how religious migrants engage with the phenomenon of nationalism, through two groups of German-speaking Mennonites.
This book is the first detailed cultural study of Nazi ideology as it was presented to the interwar Australian public, most particularly its German-Australian population.
For a fuller discussion of this review, see Brodbeck, Defining Deutschtum, pp. ... for the attempt has often been made to define “a magyar nemzet” as “az uralkodó nemzet,” in other words, as “the ruling race,” not as the Hungarian ...
62 See David Brodbeck, Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna, Oxford University Press, New York, 2014, 30–8, especially 30. Eduard Hanslick, a music critic and later a ...
Blacking, J. (1982) 'The Structure of Musical Discourse: The Problem of the Song Text', Yearbook for Traditional Music 14 ... Blume, F. (1967) 'The Idea of “Renaissance”', in Renaissance and Baroque Music: A Comprehensive Survey, trans.
71 This topic is explored by David Brodbeck in Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna, The New Cultural History of Music (Oxford and New York: Oxford University Press, ...
David Brodbeck, Defining Deutschtum: Political Ideology, German Identity, and Music- Critical Discourse in Liberal Vienna (New York: Oxford University Pres, 2014), 123–24. 41. For a concise but lucid discussion, Randall Lesaffer, ...
Conclusion “No one has been able to define Jew, and in essence this defiance of definition is the central meaning of ... Germans, who for centuries emphasized lineage and bloodlines as defining Deutschtum, recognize that their country ...