Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy.
The Oxford Handbook of Western Music and Philosophy celebrates the ways in which musicians have historically called upon philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to ...
musical encounters, the way in which a particular musical event departs from other music with which it might ... Her central text for us is Music and Its Lovers: An Empirical Study of Emotional and Imaginative Responses to Music (Lee, ...
Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.
"The work of this introductory chapter is twofold; first, to provide a brief historical overview of the changing nature and conception of musical time over the last two thousand years, and second, to set out the arc of the work through ...
The Encyclopedia of Aesthetics . New York : Oxford University Press , pp . 178–82 . - ( 1998b ) . ' Beauty and Evil : The Case of Leni Riefenstahl's Triumph of the Will , in J. Levinson ( ed . ) , Aesthetics and Ethics : Essays at the ...
The second edition of The Oxford Handbook of Music Psychology updates the original landmark text and provides a comprehensive review of the latest developments in this fast-growing area of research.
This volume provides the advanced student or scholar a set of introductions to each of the world's major non-European philosophical traditions.
This is the first comprehensive book on the philosophy of time.
This is the most authoritative and comprehensive guide ever published to the state of the art in philosophy of mind, a flourishing area of research.
Drawing upon the expertise of leading and emerging scholars, this Handbook presents an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century.