Titus Andronicus was the young Shakespeare's audacious, sporadically brilliant experiment in sensational tragedy. Its horrors are notorious, but its powerful poetry of grief is the work of a true tragic poet. Introducing this edition, E.M. Waith provides a fresh view of the play in its historical context as well as an original discussion of the famous `Peacham' drawing - the only surviving contemporary Shakespeare illustration. An illustrated account of performances, notably Peter Brook's production with Oliver as Titus, leads to an assessment of the play's qualities in the light of its critical reception. The eighteenth-century version of the play's probable source is given in one of the appendices. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Instructors and students worldwide welcomed the fresh scholarship, lively and accessible introductions, helpful marginal glosses and notes, readable single-column format, all designed in support of the goal of the Oxford text: to bring the ...
"Authorship Companion: Cutting-edge research in attribution studies; A new perspective on the dating of Shakespeare's plays, and on his dramatic collaborations; Combines the work of senior scholars with exciting new voices; Explores the ...
The Oxford Shakespeare edition presents a radically new text, based on that First Folio, which printed Shakespeare's own revision of an earlier version.
150–1, 163–8), Graham Bradshaw, though critical of Nelson and Haines's literal-minded treatment of stage time, nevertheless concludes that Othello's tormented longing to dye the wedding-sheets with the blood of murder (5.1.37) makes ...
Looks at the life, career, works, and influence of William Shakespeare.
In the introduction to this edition, Peter Holland pays particular attention to dreams and dreamers, and to Shakespeare's construction of a world of night and shadows.
That Romeo is merely banished for a killing half-acknowledges that this is no right tragedy, and seems to promise ... 8 Richard Levin, The Multiple Plot in English Renaissance Drama (Chicago, IL: University of Chicago Press, 1971).
insomuch that the one could not refrain the company of the other one minute; all things went in common between them, which all men accounted commendable' (Bullough, p. 219). But a woman, Lucilla, comes between them.
Blits, Jan H., 'Manliness and Friendship in Shakespeare's Julius Caesar' Interpretation 9 (1981), 155–67. ... Bristol, Michael D., 'The Two Noble Kinsmen: Shakespeare and the Problem of Authority', in Charles H. Frey, ed., Shakespeare, ...
Richard II William Shakespeare Anthony B. Dawson, Paul Yachnin ... His brother, Archbishop late of Canterbury, Sir Thomas Erpingham, Sir Thomas Ramston, Sir John Norbery, Sir Robert Waterton and Francis Coint, All these, well furnished ...