In The Musician's Way, veteran performer and educator Gerald Klickstein combines the latest research with his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. Part I, Artful Practice, describes strategies to interpret and memorize compositions, fuel motivation, collaborate, and more. Part II, Fearless Performance, lifts the lid on the hidden causes of nervousness and shows how musicians can become confident performers. Part III, Lifelong Creativity, surveys tactics to prevent music-related injuries and equips musicians to tap their own innate creativity. Written in a conversational style, The Musician's Way presents an inclusive system for all instrumentalists and vocalists to advance their musical abilities and succeed as performing artists.
Profiles the lives of twenty composers and musicians, ranging from Vivaldi, Mozart, and Bach to Gershwin, Gilbert and Sullivan, and Woody Guthrie
In addition to chapters on careers in higher education, guidance in how to develop a dynamic business plan, and effective time management, this expanded second edition includes up-to-date strategies for meeting the challenges of today's ...
A wacky tall tale about how musicians first learned to play together.
This manual gives musicians and other performers practical insights on every aspect of performance.
The messages I received from parents , aunts , uncles , and teachers were “ You're great ” and “ We'll see you in Carnegie Hall ! ” Because of these messages and the extreme low self - esteem I had in all other areas , I thought that I ...
Practice is everything. This book covers essential practice strategies and mindsets you won't find in any other book. You'll learn the What, Why, When, Where, Who, and especially the How of great music practice.
The Musician's Path covers the most critical factors to consider for those wanting to develop their skill as a musician.
Also see Cope (1999), Dunbar-Hall (2000), Elliott (1989, 1990, 1995), Farrell (1990), Floyd (1996), Kwami (1989, 1996), McCarthy (1997, 1999), Nwezi (1999), Oerhle (1991), Small (1980, 1983, 1987), Stock (1991, 1996), Westerlund (1999), ...
This book is aimed equally at student musicians, practising musicians, and instrumental and vocal teachers, and it aims to help them to begin to understand how and why their bodies function as they do when they perform and also how they may ...
No matter your instrument or level of musical ability, this book will reveal to you a new dynamic appreciation for the mind’s creative power.