Covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora to The Addams Family in 2010.
This comprehensive study of the career of one of Broadway's most influential director/producers discusses the quintessential elements of Prince's theatrical work and assesses his impact on both the American and British musical theater
Threepenny opened offBroadway at the Theatre deLys on March 10, 1954, foran advertised limited run, closing on May 30 after ninety sixperformances. But withtheTimes's Brooks Atkinson leading the pack, press and publicalike letout ahowl ...
Presents a history of the Broadway musical theater, including summaries of the shows, photographs of the stars, posters, sheet music, production stills, and essays by theater luminaries.
... to why the show ran so long, although audiences loved it. 110 IN THE SHADE (October 24, 1963; Broadhurst Theatre; 330 performances) Production credits: Producer: David Merrick; Director: Joseph Anthony; Composer: Harvey 1 1 6 CHAPTER 4.
Nathan Hurwitz uses these factors to explain the output of each decade in turn, showing how the most popular productions spoke directly to the audiences of the time.
In The Secret Life of the American Musical, Jack Viertel takes them apart, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings.
Weitz, Eric. The Cambridge Introduction to Comedy. Cambridge: Cambridge University Press, 2009. Wertheim, Albert. Staging the War: American Drama and World War II. Bloomington: Indiana University Press, 2004. Whitcomb, Ian.
Offers a history of American musical theater from the 1920s through to the 1970s, and includes such famous works as "Oklahoma!," "The Red Mill," and "Porgy and Bess."
The author reviews these and other highlights of American musicals ... with a fascinating background on the elements that contribute to the success of a Showboat .
Kaufman and Hart assumed the sketch-writing chores Friedman had originally been slated for, leaving Friedman solely with credit for conceiving and directing the show. The fun was still at the expense of the successful, but, ...