Hailed as "an outstanding guide not only to Narnia, but also to Lewis's thinking as a whole" by Books and Culture and as "absorbing...serious...rich...a brilliant work to be savored, read often and kept at hand when re-reading Lewis's novels" by The Catholic Register, this superb book argues convincingly that medieval cosmology, a subject which fascinated C.S. Lewis throughout his life, provides the imaginative key to understanding the seven Narnia novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward shows that the Narnia stories were designed to express the characteristics of the seven medieval planets - the Sun, the Moon, Mars, Mercury, Venus, Jupiter and Saturn - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that the story-line in each book, countless points ofornamental detail, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality.
In this compelling book, Lewis scholar Michael Ward reveals deeper layers of meaning encrypted in the Narnia series, drawing on medieval cosmology and symbolism. - Koorong The Narnia books are mysterious.
What is it about these seven books that makes them so appealing? For more than half a century, scholars have attempted to find the organizing key—the “secret code”—to the beloved series, but it has remained a mystery. Until now.
Michael Ward argues that medieval cosmology, a subject that fascinated Lewis throughout his life, provides the imaginative key to the seven Narnia novels.
Douglas Wilson begins this series of meditations on C.S. Lewis's The Chronicles of Narnia with the observation, "This is not intended to be an introduction to Narnia at all, but is rather more like a conversation between good friends about ...
However, not only did Lewis answer her letter, he also outlined the spiritual themes in each of the Narnia books. That letter served as inspiration for Will Vaus to write The Hidden Story of Narnia.
A comprehensive single-volume study surveying C. S. Lewis's career as an academic, Christian thinker, and creative writer.
Thus we curated this issue to celebrate both Dr. Ward and his stellar work. Photography: Lancia E. Smith Illustrations: Virginia de la Lastra Artwork: Ryan Grube. Contributors: Adam L. Brackin: "Quarantine," a short story.
" This is what he attempted to provide in the Narnia stories, argues Williams: an unfamiliar world in which we could rinse out what is stale in our thinking about Christianity--"which is almost everything," says Williams--and rediscover ...
As he shouted he had picked up a big, jagged stone from beside the stream. "Ransom," croaked the Un-man, "wait! We're both trapped ..." but Ransom was already upon it. "In the name of the Father and of the Son and of the Holy Ghost, ...
We have not long to live in any event. Let us spend what is left in seeking the unpeopled world behind the sunrise.' And as they quarrelled he caught up the Knife of Stone which lies there on the table and would have fought with his ...