A writing guide for the twenty-first century, Vernacular Eloquence explores how the variety of ways the spoken word can enhance the written word, drawing on examples from blogs, email, and other recent trends.
Smith, G. Gregory, ed. Elizabethan Critical Essays. 2 vols. Oxford: Oxford University Press, 1904. Smith, John. The Mystery ofRhetorick Unveil'd. London: George Eversden in Amen Corner, 1683. Spenser,Edmund. The Faerie Queene.
William Dean Howells , A Hazard of New Fortunes , 2 vols . ( New York : Harper and Bros. , 1889 ) , vol . 1 , pp . 1 , 9 , 10. The cultivated March is aware of the bombast : " Some people don't think much of the creation of man ...
This original book challenges prevailing accounts of English literary history, arguing that English literature emerged as a distinct category during the late sixteenth century, as England’s relationship with classical Rome was suffering ...
In this book, Donoghue maintains that eloquence should be examined independent of mere rhetoric and that it has its own intrinsic value.
Gabriel Harvey, “A New Letter of Notable Contents” (1593), qtd. in Christopher Marlowe: The Critical Heritage, ed. ... Spenser, Three . . . letters, 6; Gabriel Harvey, The Works of Gabriel Harvey, D.C.L., 3 vols., ed.
This innovative book maps out a "Renaissance" otherwise eclipsed by cultural and literary-critical investments in a period defined by the impact of classical humanism, Reformation poetics, and the flourishing of vernacular languages and ...
Simultaneously, they revised the figure of the violent savage, whose bodily extravagance resists meaning. This dual revision began with the characteristic features of Whitefieldian oratory—its extemporaneousness, its physical ...
In a new introduction, he offers his reflections on the original edition, discusses the responses from people who have followed his techniques, how his methods may differ from other processes, and how his original topics are still pertinent ...
Dante and the "quest for Eloquence" in India's Vernacular Languages
Matthew Bevis examines the relations between public speaking and literary expression in the lives and work of Byron, Dickens, Tennyson, and Joyce.