The Secular Spectacle: Performing Religion in a Southern Town

The Secular Spectacle: Performing Religion in a Southern Town
ISBN-10
0199860289
ISBN-13
9780199860289
Category
History
Pages
256
Language
English
Published
2013
Publisher
Oxford University Press
Author
Chad E. Seales

Description

The manufacturing town of Siler City, North Carolina, was transformed by the arrival of Latino migrants in the 1990s. Using ethnographic and archival sources, Chad E. Seales argues that white Protestants in Siler ritually engaged material cultures of racial segregation and southern industrialization that had been forged in the early twentieth century in order to reclaim public space following the arrival of Latino Catholics. Seales offers a new approach to the study of material religion by considering not just how Protestants use material objects within the bounds of recognizable Christian practice, but also how they use those morally charged material objects to maintain religious order in secular life. In 1901, for example, Confederate Colonel John Randolph Lane led the inaugural Fourth of July parade in downtown Siler City. For southern whites, his bodily performance represented the real presence of Confederate sacrifice for Christian homes. Across the twentieth century,white Protestants publically displayed the moral order embodied by Lane, an order predicated on the racialization of the town's inhabitants, in the annual rites surrounding the Fourth of July parade. At the end of the twentieth century, they renewed the downtown parade in response to Latino Catholics, who had demonstrated their public presence through the ritual performance of the crucifixion of Jesus in a Good Friday procession. Using the contrast between parades and processions, along with other examples, Seales argues that southern whites cultivated their own regional brand of American secularism and used it to claim and regulate public spaces

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