From the Foreword by Renee Fleming: "Kathryn LaBouff has developed an approach to singing in the English language which is wonderfully user-friendly, and which has surely saved much wear and tear on my voice. It is a technique that has empowered me with the knowledge and skills to bring a text to life and to be able to negotiate all of the sounds of the language with the least amount of effort. I have found her clever and extremely creative use of substitute consonants or combinations of consonants in creating clear diction utterly delightful because they are surprising and because they work. These techniques have been equally useful when singing in foreign languages. We sopranos are not usually known to have good diction, particularly in our high range. I found that working with Kathryn improved my ability to be understood by an enormous percentile of the audience with much less vocal fatigue than I would have experienced if left to my own devices. I have often told my colleagues enthusiastically of her interesting solutions to the frustrating problems of diction. I am thrilled that her techniques are now in print for all to benefit from them." In Singing and Communicating in English, internationally renowned diction coach Kathryn LaBouff provides singers with an accessible guide to the principles of English diction they need to communicate the text successfully. Her thorough and much sought-after technique clarifies the physiology of speech, emphasizes the studied practice of careful and articulate pronunciation, and focuses on the study of English cadence. Covering aspects of phonetics from vowels to diphthongs to fricatives, the book includes multiple practical exercises in International Phonetic Alphabet (IPA) transcriptions, helpful diagrams, and pronunciation drills, each chosen from the most essential English art song and operatic repertoire. In addition to standard American and British English, a variety of regional dialects and accents are covered in depth. A companion website features a full range of vowel/consonant drills, poems read aloud by the author and by theater and voiceover actor John Keating, as well as an exercise answer key, and publishers' lists to help the singer locate a vast array of English language works for performance. This book is an invaluable resource for all vocalists (both professional and aspiring), diction instructors, teachers, and coaches, and choral directors. VISIT THE COMPANION SITE AT www.oup.com/us/singinginenglish
"Bringing together leading researchers from a variety of academic and applied backgrounds, this book examines how music can be used to communicate, as well as the biological, cognitive, social, and cultural processes which underlie such ...
Johnston makes German increasingly accessible through the recognition that English and German are related languages, and thus have many things in common with regard to lyric diction.
Many of his ayres are arranged as quartets for chamber use. Below is one of Dowland's most popular ayres. “Weep You No More, Sad Fountains” Before you listen, implement your dictation strategies: 1. IPA Spellings: This text has many ...
Contains a glossary of terms and lists of performers trained using Seth Riggs' vocal therapy and technique. Includes glossary (p. 91-94) and index.
Introduction. I. German Vowels. II. German Consonants. III. Alphabetical Review of German Phonetics. IV. French Consonants. V. French Vowels. VI. Alphabetical Review of French Phontics. Appendices. I. Reference list of...
Dr. Carol Fleming provides detailed advice and scores of exercises for Understanding how others hear you Dealing with specific speech problems Varying your vocal patterns to make your speech more dynamic Using grammar and vocabulary to ...
Preface. Introduction. PART I: THE ITALIAN VOWELS. PART II: THE ITALIAN VOWELS IN LYRIC DICTION. PART III: THE CONSONANTS. PART IV: THE SEMICONSONANTS. PART V: DIPHTHONGS AND TRIPHTHONGS. PART VI:...
In doing so, the book provides maps with detailed advice and exercises to use their bodies effectively.
London: Longmans Green. Dyja, Eddie. Ed. 2001. BFIfilm and television handbook: 2002. London: British Film Institute. Eco, Umberto. 1995. The searchfor the perfect language. Oxford: Blackwell. Elliott, Blanche B. 1962.
... and a few are listed here: The Dual Notation Course, 4 books (Curwen). Five Minutes Weekly, Singer's Edition (Henry Coleman, O.U.P.). The Folk-Song Sight Singing Series, 12 books (Lawton & Whittaker, 106 THE SINGING CLASS.