The Oxford Handbook of Dance and the Popular Screen offers new ways of understanding dance on the popular screen in new scholarly arguments drawn from dance studies, performance studies, and film and media studies. Through these arguments, it demonstrates how this dance in popular film, television, and online videos can be read and considered through the different bodies and choreographies being shown.
... chasing: a rumor, a mirage, a fiction? A threat? To what? Dancing? Winning? Occupying the same space and perhaps touching? One might argue that they were not even chasing Reed (although I am sure he would beg to differ) or his audacity ...
The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance.
The Oxford Handbook of Dance and Ethnicity provides an authoritative and up-to-date survey of original research from leading experts which will set the tone for future scholarly conversation.
This text presents keywords and critical terms that deepen analysis and interpretation of the musical.
Dance practices are evolving to explore these new possibilities. In Perpetual Motion, Harmony Bench argues that dance is a vital part of civil society and a means for building participation and community.
Originally, the sum was split 50/50, but after 1942, Costello received 60 percent of the sum. Scott Allen Nollen, Abbott and Costello on the Home Front: A Critical Study of the Wartime Films (Jefferson, NC: McFarland, 2009), 49.
Sites. and. Fluid. Bodies. Video dance and hybridity Video dance is a creative exploration of the relationship between dance and television. It is a fusion or amalgamation of two distinct sites in which the codes and conventions of each ...
The Autumn of Italian Opera from Verismo to Modernism, 1890–1915. Boston: Northeastern University Press. Mauclair, Camille. 1904. “La Fin du wagnérisme. ” La Revue (February 15). Meyer, Stephen C. 2003. Carl Maria von Weber and the ...
These performances activated complex webs of prosthetic relationships. The notion of “prosthesis” has along and complicated history in critical discourse,8 but in this context, Mitchell and Snyder's theory of “narrative prosthesis” ...
This Handbook thus enables a lively discussion as multifaceted and complex as the voice itself has proven to be.