Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years? Ranging from the films of Ross McElwee (Bright Leaves) and Agn?s Varda (The Gleaners and I) to those of Abbas Kiarostami (Close Up) and Ari Folman (Waltz with Bashir), such films have intrigued viewers who at the same time have struggled to categorize them. Sometimes described as personal documentaries or diary films, these eclectic works are, rather, best understood as cinematic variations on the essay. So argues Tim Corrigan in this stimulating and necessary new book. Since Michel de Montaigne, essays have been seen as a lively literary category, and yet--despite the work of pioneers like Chris Marker--seldom discussed as a cinematic tradition. The Essay Film, offering a thoughtful account of the long rapport between literature and film as well as novel interpretations and theoretical models, provides the ideas that will change this.
It features texts on the foundations of the essay film by writers such as Hans Richter and André Bazin; contemporary positions by, among others, Phillip Lopate and Michael Renov; and original essays by filmmakers themselves, including ...
The conceptual break is occasionally not so clear; instead of red, an orange screen appears occasionally, such as when Hall recalls how he set up courses in film studies in collaboration with the British Film Institute.
As Wilson has noted, for instance, “The beat of the song slowly speeds up as the images zoom in and out on the guns, batons and dogs used by police officers to curb what is clearly a rising tide of social unrest. [.
shot/countershot in Contempt? It helps to recognize, first of all, that this shot/countershot between Paul and Camille is a citation, less an intertextual allusion than a borrowing from the repertoire of another filmmaker whose formal ...
World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world.
In the wake of the explosion in the production of essay films over the last 25 years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the 'long durée' of the ...
Written with clarity and perception, this volume offers new insights into the rise of the non-fiction film and the essay film, in particular.
All the book's essays provide deeply felt understanding of documentary film, and of how we live with, an d within, images.
Provides novel answers to some of the seminal questions of cinema: on the nature of the cinematographic experience, on authorship and spectatorship, on the filmic commitment to truth and on the state of subjectivity today." --Book Jacket.
Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, ...