Making quality moving pictures has never been easier or more affordable, and the proliferation and ease of access to digital recording devices has prompted scores of amateurs to record and post videos to YouTube and its ilk. Paradoxically, however, scoring and arranging music for motion pictures is, in many ways, more complicated now than ever before, requiring extensive knowledge of notation, arranging, recording, and mixing software and multi-component DAW workstations. In Composing for Moving Pictures: The Essential Guide, author Jason Gaines offers practical tools with which to navigate the increasingly complex environment of movie music composition. He addresses both the principles of composition for moving pictures and the technologies which drive music composition, performance, and recording in an integrated and comprehensive fashion. The guide takes readers from square one - how technology can facilitate, rather than hinder, creativity in scoring - and then moves into the basics of working with MIDI files and on to more advanced concepts such as arranging and mixing. Gaines illustrates each step of the process with screen shots and explanations in the form of program tutorials. Composing for Moving Pictures fills a hole in literature on film scoring in the digital age and will prove to be an invaluable resource for music educators at the university and secondary level. Amateur composers will also delight in this easy-to-use guidebook.
In this book both traditional and contemporary principles and approaches are explored and clearly explained.
To that end, we need a rudimentary schema to guide research into the future of moving pictures, since it seems likely that the multifarious forms of cinematic media will be essential and universal modes of communication and popular ...
This chapter explores and discusses how writing is involved in the multimodal composing of moving images. The first step is theorizing moving images as a multimodal text, presenting a cognitive perspective oriented towards interpreting ...
This book explains the broader context of what the art and craft of motion picture editing entails, framing the creative acts of editing within an overall view of the production process and requirements for effective storytelling.
The kind contributions of many directors, producers, photographers, and artists were an enormous boon to Moving Images, and I wish to thank them sincerely for sharing their work: Nash Edgerton and Blue-Tongue Films; William Farley; ...
Filmmaking Essentials for Photographers: The Fundamental Principles of Transitioning from Stills to Motion
This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors.
Our point here is that the universe of mediated composition processing (conceiving, formulating, introducing and ... We have focused here on the specific process of composing a moving picture at the core of cultural meaning and ...
He thus anticipated the fact that the motion picture would favor networks of musical meaning based upon discontinuity. To exclude a priori diatonic tonality from participation in a new film music language seems premature.
The purpose of this book, through its very creation, is to strengthen the dialogue between practitioner and theorist.