This book examines the ways in which cultural arguments about value develop: the processes by which some practices, artists, and media in the artworld win and others lose. The authors argue that the concept of prestige, although uncomfortable and consistently overlooked, is an essential model for understanding artworld values.
Vance, J. D. 2016. Hillbilly Elegy: A Memoir of a Family and Culture in Crisis. New York: HarperCollins. Wakin, D. J. 2012. “A Loud Call for Cheering at Classical Concert Halls.” New York Times, June 8, C1. Watercutter, A. 2008.
Dyrness, William A. Reformed Theology and Visual Culture: The Protestant Imagination from Calvin to Edwards. Cambridge: Cambridge University Press, 2004. ———. ... Translated by William Johnston. London: Peter Owen, 1976.
This is scholarship that challenges stale thought and interacts with philosophical ideas in real time, with a versatility that can often be lacking in traditional academic scholarship.
In Artworld Prestige: Arguing about Cultural Value, Timothy Van Laar and Leonard Diepeveen provide a useful language for describing this ... These terms have specific histories in the art world, which ascribe status paradoxically.
I predicted that experts, some of them carrying prestige in the international artworld, will themselves use prestige to evaluate artworks. This circularity might seem problematic at first glance. Why someone so skillful or knowledgeable ...
Van Laar T. and Diepeveen L. (2013), Artworld Prestige, Oxford University Press, Oxford and New York. Velthuis O. (2005), Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art, Princeton University Press, ...
A unique sociological vision of the evolution of jazz music in the twentieth century, first published in 2002.
In turning to these materials, the book reevaluates how modernism interacted with the public and describes how a new aesthetic begins: not as a triumphant explosion that initiates irrevocable changes, but as an uncertain muddling and ...
For an engaging take on the relations between nonrepresentational art and the construction of value, see Van Laar and Diepeveen's Artworld Prestige. 7. James, 'Greville Fane', p. 115. 8. Andreas Huyssen's theorisation of the 'great ...
Artworld Prestige: Arguing Cultural Value. Oxford: Oxford University Press. van Wijngaarden, Gert Jan. 1999. “The Complex Past of Pottery: An Introduction.” In The Complex Past of Pottery: Production, Circulation and Consumption of ...