The Benezit Dictionary of British Graphic Artists and Illustrators consists of over 3,000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the 2006 Benezit Dictionary of Artists with an additional 90 revised and 60 new articles. The collection highlights the rich history of British printmaking-both fine art prints and mass print media-and related activities in the production and illustration of printed books and manuscripts. Because of Benezit's focus on European artists of the 18th, 19th, and 20th centuries, this collection provides comprehensive coverage of British graphic art and illustration during their most significant periods of development. Entries provide straightforward, concise narratives of the artists' lives and careers, and many entries include bibliographies, auction sale records, exhibition histories, and museum collection holdings. This collection also includes over 200 images of artists' signatures. The Benezit Dictionary of British Graphic Artists and Illustrators serves as a compact, affordable alternative to the fourteen-volume Benezit for specialists and collectors in the fields of British art and/or printmaking.
Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.
The presentation ofmajor pieces illustrating Wedgwood productions ingood colorreproductions makesthis anexcellent source for identification and dating. Includes information on marks and values. Weller Warman's WellerPottery: ...
In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory ...
This aquatint was reproduced in Charles Hamilton Smith, Costumes of the Army of the British Empire, according to the last ... See image in R. Money Barnes (Major), Military Uniforms of Britain and the Empire: 1742 to the Present Time ...
This book is a meticulously researched but very readable story of Huguenot Paul Fourdriniers journey from being an apprentice in Holland to a highly recognized printmaker in London in the eighteenth century.
Rosenblum, Naomi, 'The Early Years: Technology, Vision, Users 1839–1875', A World History of Photography (New York: ... Schaaf, Larry J. and William Henry Fox Talbot, Records of the Dawn of Photography: Talbot's Notebooks P & Q ...
He may have been the John Parkins imprisoned in Grantham, Lincolnshire for a year in 1819, convicted of fraud. The National Archives (TNA) HO/27/17, 429; Gentleman's Magazine, January 1830, 93. 3. www.londonlives.org (2012), LL ref; ...
Such transformational processes as movement from sickness to wellness, from grief to closure and from fractured to integrated are evident within the pilgrimage literature and are explored in this volume.
Wilson's description of Duval's drawings as 'excruciatingly bad' meant incompetent. It was Duval's lack of capacity for making a drawing that Wilson found excruciating, in the context of Duval having fulfilled the role of ...
... Britain about 1740 and to Edinburgh by about 1760, becoming First Master of the Trustees' Academy (Benezit Dictionary of British Graphic Artists and Illustrators, 2012, i. 327–28). On WF's drawing, see From WF, 2 Nov. 1790 n. 14. 29 ...