Societies and entire nations draw their identities from certain founding documents, whether charters, declarations, or manifestos. The Book of Common Prayer figures as one of the most crucial in the history of the English-speaking peoples. First published in 1549 to make accessible the devotional language of the late Henry the VIII's new church, the prayer book was a work of monumental religious, political, and cultural importance. Within its rituals, prescriptions, proscriptions, and expressions were fought the religious wars of the age of Shakespeare. This diminutive book--continuously reformed and revised--was how that age defined itself. In Shakespeare's Common Prayers, Daniel Swift makes dazzling and original use of this foundational text, employing it as an entry-point into the works of England's most celebrated writer. Though commonly neglected as a source for Shakespeare's work, Swift persuasively and conclusively argues that the Book of Common Prayer was absolutely essential to the playwright. It was in the Book's ambiguities and its fierce contestations that Shakespeare found the ready elements of drama: dispute over words and their practical consequences, hope for sanctification tempered by fear of simple meaninglessness, and the demand for improvised performance as compensation for the failure of language to fulfill its promises. What emerges is nothing less than a portrait of Shakespeare at work: absorbing, manipulating, reforming, and struggling with the explosive chemistry of word and action that comprised early modern liturgy. Swift argues that the Book of Common Prayer mediates between the secular and the devotional, producing a tension that makes Shakespeare's plays so powerful and exceptional. Tracing the prayer book's lines and motions through As You Like It, Hamlet, Twelfth Night, Measure for Measure, Othello, and particularly Macbeth, Swift reveals how the greatest writer of the age--of perhaps any age--was influenced and guided by its most important book.
I begin with an archival study of the marginal annotations left by early modern worshipers in their personal copies of the Book of Common Prayer. Prayer book readers treated liturgy...
John E. Booty's edition of The Book of Common Prayer, 1559, first published by the University Press of Virginia for the Folger Shakespeare Library in 1976 and long out of print, is now being reissued in the same handsome format as the ...
This is a beautifully crafted collection of prayers for each Sunday and most major festivals in the church's year, together with additional material for each season.
4-10 ; L. Magnus , ' Mimetic Hearing and Meta - Hearing in Hamlet , in L. Magnus and W. Cannon , eds , Who Hears in Shakespeare ? Auditory Worlds on Stage and Screen ( Madison , NJ : Fairleigh Dickinson University Press , 2012 ) , pp .
Shakespeare's Biblical Knowledge and Use of the Book of Common Prayer as Exemplified in the Plays of the First Folio
This lovely book at once surprises and enchants with its literary voice, devotional heart, and accessible writing.
This collection of essays seeks not only to explore and commemorate the Book of Common Prayer's influence in the past but also to commend it for present use, and as an indispensable part of the Church's future -- both as a working liturgy ...
This is a beautifully crafted collection of prayers for each Sunday and most major festivals in the church's year, together with additional material for each season.
Anthony B. Dawson, 'Claudius at Prayer', Religion and Drama in Early 10. 11. 12. 13. 14. 15. Modern England: The Performance of Religion on the Renaissance Stage, ed. ... Erica Longfellow, 'Prayer and Prophecy', in The Oxford Handbook ...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.