African-American Art: A Visual and Cultural History offers a current and comprehensive history that contextualizes black artists within the framework of American art as a whole. The first chronological survey covering all art forms from colonial times to the present to publish in over a decade, it explores issues of racial identity and representation in artistic expression, while also emphasizing aesthetics and visual analysis to help students develop an understanding and appreciation of African-American art that is informed but not entirely defined by racial identity. Through a carefully selected collection of creative works and accompanying analyses, the text also addresses crucial gaps in the scholarly literature, incorporating women artists from the beginning and including coverage of photography, crafts, and architecture in the nineteenth and twentieth centuries as well as twenty-first century developments. All in all, African American Art: A Visual and Cultural History offers a fresh and compelling look at the great variety of artistic expression found in the African-American community. Visit www.oup.com/us/farrington for additional support material, including chapter outlines, study questions, links to artists' sites, and other resources to help students succeed.
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This volume presents selections from the highly-respected Cosby collection of African American art. Their introductions elaborate on their strong belief that African American families should themselves seek to preserve their...
John Wilson: A Retrospective : an Exhibition
The gala atmosphere of Harlem's night life was immortalized in such popular songs as "Stompin' at the Savoy" and "This Joint Is JLumpin'," and its Figure 4.3 Josephine Baker in Figure 4.4 Laura Wheeler Waring jazz Dancer! (Study), c.
Whitfield Lovell: All Things in Time
John Wilson b . 1922 Painter , printmaker , illustrator , educator . Born in Boston , Massachusetts . Studied at the School of the Museum of Fine Arts , Boston , 1944 ; Tufts University , Medford , 1947 ; The Fernand Leger School ...
In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms.
250 Years of Afro-American Art: An Annotated Bibliography
Catalog for the exhibition of Hank Willis Thomas' work entitled OPP: Other People's Property curated by Kalia Brooks for the Cantor Fitzgerald Gallery at Haverford College, January 25 - March 8, 2012