ART HISTORY provides students with the most student-friendly, contextual, and inclusive art history survey text on the market. These hallmarks make ART HISTORY the choice for instructors who seek to actively engage their students in the study of art. This new edition of ART HISTORY is the result of a happy and productive collaboration between two scholar-teachers (Marilyn Stokstad and Michael Cothren) who share a common vision that survey courses on the history of art should be filled with as much enjoyment as erudition, and that they should foster an enthusiastic, as well as an educated, public for the visual arts. Like its predecessors, this new edition seeks to balance formal and iconographic analysis with contextual art history in order to craft interpretations that will engage a diverse student population. Throughout the text, the visual arts are treated as part of a larger world, in which geography, politics, religion, economics, philosophy, social life, and the other fine arts are related components of a vibrant and cultural landscape. Art History Portable Edition offers exactly the same content as Art History, Fourth Edition but in smaller individual booklets for maximum student portability. The combined six segment set consists of four booklets that correspond to major periods in Western art and two that cover global art. Each book is available individually, making them ideal for courses focused on individual periods.
Unique among the "Art Of" series, The Art of History engages with both fiction and narrative nonfiction to reveal varied strategies of incorporating and dramatizing historical detail.
Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism, Belting retains his place as one of the most original thinkers working in the visual arts today.
Griselda Pollock and Rozsika Parker identify the crucial paradox about attitudes to women in the writing of histories, specifically here those concerned with creativity: Women are represented negatively, as lacking in creativity, ...
Richard Shone, John-Paul Stonard. 38Idem 1961, I, p.107. 39Idem 1903, I, pp.148–49. 40Ibid., p.149. 41Ibid. 42See ibid.; and C.C. Bambach: 'Leonardo, LeftHanded Draftsman and Writer', in idem: exh. cat. Leonardo da Vinci Master ...
"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history.
This innovative book will be of interest to scholars in art history, cultural studies, history, visual culture and historiography.
This book adapts a variety of historical art techniques and styles to classroom use in order that students will gain insight into artistic thought and a better understanding of art history.
Tracing the origins and evolution of the most enduring dance form of the twentieth century, the author of The Flash of the Spirit looks at the diverse influences that led to the creation of the tango and examines the tango as a musical form ...
From the tiniest of details to the broadest cultural implications and meanings, Art History 101 helps us see why these works of art are considered masterpieces.
The Sixth Edition has been revised to reflect new discoveries, recent research, and fresh interpretive perspectives, as well as to address the changing needs of both students and educators.