Rich with archival detail and compelling characters, Life on Display uses the history of biological exhibitions to analyze museums’ shifting roles in twentieth-century American science and society. Karen A. Rader and Victoria E. M. Cain chronicle profound changes in these exhibitions—and the institutions that housed them—between 1910 and 1990, ultimately offering new perspectives on the history of museums, science, and science education. Rader and Cain explain why science and natural history museums began to welcome new audiences between the 1900s and the 1920s and chronicle the turmoil that resulted from the introduction of new kinds of biological displays. They describe how these displays of life changed dramatically once again in the 1930s and 1940s, as museums negotiated changing, often conflicting interests of scientists, educators, and visitors. The authors then reveal how museum staffs, facing intense public and scientific scrutiny, experimented with wildly different definitions of life science and life science education from the 1950s through the 1980s. The book concludes with a discussion of the influence that corporate sponsorship and blockbuster economics wielded over science and natural history museums in the century’s last decades. A vivid, entertaining study of the ways science and natural history museums shaped and were shaped by understandings of science and public education in the twentieth-century United States, Life on Display will appeal to historians, sociologists, and ethnographers of American science and culture, as well as museum practitioners and general readers.
This is the way John Kaye, the best writer at LA, explained why he was qualified to write about Ryan O'Neal. In high school Ryan was noisy, unpredictable, and sometimes violent. We partied and surfed together, along with Jan and Dean, ...
VlRTUALITY AS TRANSITIONAL SPACE In a journal published on the Internet, Leslie Harris speculates on how virtual experiences become part of the perceptual and emotional background "that changes the way we see things."26 Harris describes ...
No competition. No pretense. No vain conceit. Just full hearts breaking bread and giving freely. It is nothing short of amazing. Most of us live in a shadow of what God intended for us. Life in Community calls us into the light.
"Life on the Screenis a book not about computers, but about people and how computers are causing us to reevaluate our identities in the age of the Internet. We are...
Even so, most patterns are not still lifes. To qualify as a still life, every on pixel must have two or three on neighbors, and no off pixel can have three on neighbors. Otherwise, parts of the pattern would die out or grow. stable as ...
... Samuel S. Lewis (1824–1921) was president of the University of Missouri in Columbia, 1876–89. ... 1887–91 (Appleton's Cyclopedia of American Biography; dab; wwwa 1); Sara Allen Plummer Lemmon (1836–1923), his wife, ...
From their secluded life in the vitrines they almost beg the visitor to make something out of them. In this sense, we argue, the display assembles the spark of life. It extracts a life force from these objects that is not reducible to ...
Sandweiss writes that King was able to deceive Copeland into thinking that he was an African-American, and a Pullman porter. They had five children together. This obviously has nothing to do with his activities as a geologist, ...
You simply enter the name of the preceding build job in this field. If the build job can be triggered by several other build jobs, just list their names here, separated by commas. In this case, the build job will be triggered once any ...
Animal Spirits: How Human Psychology Drives the Economy, and Why It Matters for Global Capitalism. Princeton: Princeton University Press, 2010. Shorrocks, Anthony, James B. Davis, Rodrigo Lluberas, and Antonio Koutsoukis.