A Note on the Captions Preface Introduction 1: Naughty Orators: Negation of Voices in Gaslight 2: Psychoanalysis and Cinema: Moments of Letter from an Unknown Woman3: Ugly Duckling, Funny Butterfly: Bette Davis and Now, Voyager 4: Postscript: To Whom It May Concern 5: Stella's Taste: Reading Stella Dallas Notes Bibliography Filmography Index Copyright © Libri GmbH. All rights reserved.
This book states that, after Cavell's celebrated reading of 'King Lear' turned into a nightmarish meditation on Vietnam, he found a more audible voice.
Jonathan Harker writes, “When I had written in my diary and had fortunately replaced the book and pen in my pocket ... only copy of the collated letters and journal entries, Uncle Charlie rips the headline about the Merry Widow Murderer ...
26 et seq., and Contesting Tears, p. 3 et seq. 6 See Contesting Tears, p. 39 et seq. 7 Cavell develops a reading of Shakespeare's tragedies under this interpretation of scepticism. See Stanley Cavell, The Claim of Reason: Wittgenstein, ...
Take, for example, Oliver O'Donovan's 2003 comment about Williams, which was quoted in the previous chapter. Williams is the great exception to postliberal and radical orthodox reticence about the self and that leads O'Donovan to write, ...
This argument forms the basis of Cavell's later treatment of a set of contemporaneous Hollywood melodramas, in his 1996 book Contesting Tears: The Hollywood Melodrama of the Unknown Woman.2 In this later work, Cavell sought to show that ...
Stanley Cavell , Contesting Tears : The Hollywood Melodrama of the Unknown Woman ( Chicago : University of Chicago Press , 1996 ) ; Pursuits of Happiness : The Remarriage Comedies of the Thirties ( Cambridge , Mass .
That she would consent under altered conditions is unknowable. A good enough or just enough society—one that recognizes her say in it—will recognize this fact of, this threatin, or measure by, the woman's unknownness. (Contesting Tears ...
What is front and centre within Contesting Tears is the work of Ralph Waldo Emerson, from whom Cavell develops the notion of perfectionism as 'a dimension or tradition of the moral life'.4 Cavell explains in Conditions Handsome and ...
Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.
Stanley Cavell William Rothman. at an instant when the sheer fact of film seems remarkable — that it is at once the most obvious and the most mysterious of the arts , and that its advent into human culture raises afresh every question ...