In this book, based on unpublished lectures delivered at the University of Cambridge, the late John Hollander explores the poetic lives and afterlives of shadow, focusing on British and American poetry from the Renaissance to the end of the twentieth century. Hollander uncovers the myriad literary identities assumed by shadow its force as a metaphoric mirror, as material for parable, a form of knowledge, and a mode of vision. He shows us what kind of thinking can be done with and in shadow, and what love of shadow amounts to. In particular, he traces the history of how shadows acquire in poetry a mysterious substance the paradoxical means through which a thing, by nature secondary and passing, grabs at authority and becomes itself a source of life. In Hollander s poetic examples, shadow shows itself as a kind of light, clarifying things as much as it darkens them, even as it becomes a name for doubt and the unnamable. Hollander and the poets he discusses give us shadow as companion, comforter, and questioner; creator, stalker, and ghost; witness, destroyer, and double. If the book s argument suggests at moments an anatomy of melancholy, the shadow here is also an occasion of continuous wonder, an opening to the gifts of time."
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...