Wittgenstein and Modernism is the first collection to address the rich, vexed, and often contradictory relationship between modernism, the 20th century s predominant cultural and artistic movement, and Wittgenstein, the most preeminent and enduring philosopher of the period. Although Wittgenstein famously declared that philosophy ought really to be written only as a form of poetry, we have yet to fully consider how Wittgenstein s philosophy relates to the poetic, literary, and artistic production that exemplifies the modernist era in which he lived and worked. Featuring contributions from scholars of philosophy and literature, the contributors put Wittgenstein s writing in dialogue with work by poets and novelists (James, Woolf, Kafka, Musil, Rilke, Hofmannsthal, Beckett, Bellow and Robinson) as well as philosophers and theorists (Karl Kraus, John Stuart Mill, Walter Benjamin, Michael Fried, Stanley Cavell). The volume illuminates two important aspects of Wittgenstein s work related to modernism and postmodernism: form and medium. Each of Wittgenstein s two major works not only advanced a revolutionary conception of philosophy, but also developed a revolutionary philosophical form to engage his readers in a mode of philosophical practice. As a whole this volume comprises an overarching argument about the importance of Wittgenstein for understanding modernism, and the importance of modernism for understanding Wittgenstein."
It needs time, hesitation, a variety of articulations, the refusal of tempting solutions, and perhaps even a sense of defeat. It is such a vision of the linkage between Wittgenstein and modernism that guides the present volume.
Wittgenstein and Modernist Fiction: The Language of Acknowledgment shows how works of twentieth-century literature and philosophy together examine language's capacity to acknowledge the inner lives of marginalized figures.
In Kafka and Wittgenstein, Rebecca Schuman undertakes the first ever book-length scholarly examination of Ludwig Wittgenstein’s philosophy of language alongside Franz Kafka’s prose fiction.
(Oxford: Basil Blackwell, 1975). Wittgenstein, Ludwig, Remarks on the Foundations of Mathematics, 3rd edition, G.H. von Wright, R. Rhees and G.E.M. Anscombe, eds, G.E.M. Anscombe, trans. (Oxford: Blackwell, 1978).
reading a book of philosophy, intended as a straightforward communication of intelligible thought. ... John Gibson and Wolfgang Huemer (London: Routledge, 2004), 131; Iris Murdoch, “Vision and Choice in Morality,” Proceedings of the ...
... 167, 168, 182–83, 185, 190, 203, 316n40 Gaita, Raimond, 23, 231, 323n43 Gardner, Helen, 25 Gibson, Andrew, 165 Gibson, John, 111 “Gleichnis,” 85, 92, 101, 104 God, 83, 98, 118, 140, 155, 178, 180, 249–50; absence/death/disbelief of, ...
Master's Thesis from the year 2010 in the subject Literature - Comparative Literature, grade: 4,0, State University of New York at Buffalo, language: English, abstract: This thesis asserts that Ludwig Wittgenstein’s philosophy, expressed ...
Finally, this interpretation shows the unity of these works while simultaneously suggesting an underlying flaw; namely, that they arise from two fundamentally-opposed worldviews present in Vienna during Wittgenstein's youth, 'aesthetic ...
22. for the original character of Henry Higgins, although it is still possible that some of his traits were incorporated into the Higgins character as portrayed in the later film version. Commonly cited inspirations for Higgins include ...
Building on recent interest in the connections among analytic philosophy, pragmatism, and modern literature, this book posits that literary vagueness should be read as a defining quality of modernist fiction.