The Roman Empire has been a source of inspiration and a model for imitation for Western empires practically since the moment Rome fell. Yet, as Julia Hell shows in The Conquest of Ruins, what has had the strongest grip on aspiring imperial imaginations isn’t that empire’s glory but its fall—and the haunting monuments left in its wake. Hell examines centuries of European empire-building—from Charles V in the sixteenth century and Napoleon’s campaigns of the late seventeenth and early eighteenth centuries to the atrocities of Mussolini and the Third Reich in the 1930s and ’40s—and sees a similar fascination with recreating the Roman past in the contemporary image. In every case—particularly that of the Nazi regime—the ruins of Rome seem to represent a mystery to be solved: how could an empire so powerful be brought so low? Hell argues that this fascination with the ruins of greatness expresses a need on the part of would-be conquerors to find something to ward off a similar demise for their particular empire.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
Painting the Conquest: The Mexican Indians and the European Renaissance
Meaning they may be more open to negotiating with an evil empire if the circumstances are right. If nothing else, there shouldn't be an all-out war the second they meet like with a holy empire. However, they couldn't be too optimistic ...
I Reincarnated As The Evil God Of My Favorite Civilization.
Clark, A. (1993) Excavations at Mucking. Volume I: The Site Atlas. London. Clark, C. and Haswell, M. (1970) The Economics of Subsistence Agriculture. London. Clark, E. (1984) The Life of Melania the Younger.
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I Reincarnated As The Evil God Of My Favorite Civilization.Takuto Ira succumbed to illness at a young age and ended up reincarnating in a world that resembles the fantasy turn-based strategy game Eternal Nations.
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In this “first-rate work of historical research and storytelling” (Kirkus Reviews, starred review), four sites of American history are revealed as places where truth was written over by oppressive fiction—with profound repercussions ...