How artists at the turn of the twentieth century broke with traditional ways of posing the bodies of human figures to reflect modern understandings of human consciousness. With this book, Emmelyn Butterfield-Rosen brings a new formal and conceptual rubric to the study of turn-of-the-century modernism, transforming our understanding of the era’s canonical works. Butterfield-Rosen analyzes a hitherto unexamined formal phenomenon in European art: how artists departed from conventions for posing the human figure that had long been standard. In the decades around 1900, artists working in different countries and across different media began to present human figures in strictly frontal, lateral, and dorsal postures. The effect, both archaic and modern, broke with the centuries-old tradition of rendering bodies in torsion, with poses designed to simulate the human being’s physical volume and capacity for autonomous thought and movement. This formal departure destabilized prevailing visual codes for signifying the existence of the inner life of the human subject. Exploring major works by Georges Seurat, Gustav Klimt, and the dancer and choreographer Vaslav Nijinsky— replete with new archival discoveries—Modern Art and the Remaking of Human Disposition combines intensive formal analysis with inquiries into the history of psychology and evolutionary biology. In doing so, it shows how modern understandings of human consciousness and the relation of mind to body were materialized in art through a new vocabulary of postures and poses.
This book explores why collaboration has become so integrated into a greater understanding of creative artistic practice.
Covering the full range of contemporary photographic art in a systematic way, this book advances a new theory of the nature of photography that is grounded in technology but refuses to place this most enigmatic art form in opposition to ...
This sets the scene for the contemporary stand-off between "sceptical" and "non-sceptical" Orthodoxy in the work of Roger Scruton and Kendall Walton, and a New Theory of Photography taking its cue from László Moholy-Nagy and Patrick ...
This volume contains sixteen original essays by contributors in philosophy, sociology, dance, disability theory, critical race studies, feminist theory, medicine, and law.
In this innovative book, Julian Hanich explores the subjectively lived experience of watching films together, to discover a fuller understanding of cinema as an art form and a social institution that matters to millions of people worldwide.
" When exhibition co-curators James Glisson, interim chief curator of American art, and Jennifer Watts, curator of photography and visual culture, were considering a Huntington centennial exhibition, they decided to take Huntington at his ...
As HickeyMoody and Malins remind us, we are already socially relating beings; we depend upon social interactions as a way to come to know things differently. As social beings we are always already collective; what we do and do not do, ...
At the same time, in part thanks to American artists visiting the city, these works of art also produced our enduring romantic view of Parisian glamour and its Belle Époque.
L. Lieber, Jeffrey 115 Liebesfilm 130 Lifeboat (Alfred Hitchcock, 1944) 52,. Lackner, James 235 n.17 Lang, ... 68–9, 72–4, 75–6, 77, 79, 80, 82, 99, 119, 234 n.6, 239 n.56 and social dynamics and processes 79 and criticism 79 Levin, ...
The series provides a forum for innovative, high-quality work in all fields of analytical philosophy. The volumes in this series are published in either English or German.