"This book explores the travels and travails of a fabulous headdress reputed to have belonged to Montezuma, the last emperor of the Aztecs. This feather crown was brought to Europe by Hernando Cortez following the conquest of Mexico. Not long after it arrived in Europe, it was placed in the "cabinet of curiosities" at Ambras Castle, the Austrian residence of the author's ancestors. From there the headdress was removed to Vienna's Weltmuseum in the early nineteenth century, where it has been on view ever since. "El Penacho," as the headdress is called, is considered a national treasure by both Austria and Mexico. The crown has long been the center of political and cultural power struggles. The Mexican government wants it back. The Weltmuseum insists El Penacho is too fragile to travel. Austria has tried to placate Mexico by giving it a replica, which is displayed in the National Museum of Anthropology in Mexico City. But Mexico wants the real thing. This is at once the biography of a rare cultural object and a history of political collecting and colonizing. The book analyses claims for postcolonial justice through the repatriation case of the headdress, today among the most contested museum claims between Europe and the Americas"--
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...